Local Review: Drug – Self-titled

Local Review: Drug – Self-titled
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Drug Self-titled Drug = Dub Pistols + ‘Quette Daddie’s casio   Eclectic hip-hop outfit Drug engages old-fashioned movie clips mix with rumba beats, disembodied vocal samples, heavy beats and trilling flute stuff. However, the production’s flat and dead, and the vocal effects sound like Chipmunks zombies. Maybe Drug S5 stole ‘Quette Daddie’s Casio? Good production

Local Review: Born Free – Divine Madness

Local Review: Born Free – Divine Madness
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Born Free Divine Madness Born Free = John Brown’s Body + The Roots   Born Free mixes hip-hop with reggae, rock, world music, techno and drum n’ bass, resulting in a diverse amalgamation that’s Jamaican first. Divine Madness is layered over with heavy electronic beats and gospel/spiritual sermonizing vocals. No slick mainstream 50 Cent here.

Review: Fairlight Children – 808 Bit

Review: Fairlight Children – 808 Bit
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FAIRLIGHT CHILDREN 808 BIT SPV 5/5 I honestly was not going to review this CD because, first of all, I’m still a little shy about admitting my newfound love for Apoptygma Berzerk and coming out of the closet recently with that whole thing. And second, because Fairlight Children really don’t fit in this genre (even

Review: Eric Wikman – I’m A Believer

Review: Eric Wikman – I’m A Believer
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ERIC WIKMAN (DEEPSWING) “I’M A BELIEVER” Generate Music Oh my God! From the man of gospel and disco, jazz and soul, Eric Wikman, comes another powerful roof-raisin’ lover of a track. Seriously people—this is it! If you missed church last week, just drop the needle and throw the phones on your ears. “I’m a believer”

 
 
Review: Devendra Banhart – Niño Rojo

Review: Devendra Banhart – Niño Rojo
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DEVENDRA BANHART NIÑO ROJO Young God A companion piece to Banhart’s well received album Rejoicing in the Handsthat was released earlier this year. For the uninitiated Devandra Banhart is a fine songsmith who captures the starkness of label mate/co-producer Michael Gira’s dark folk experiments but adds a quirky twist that puts forward a recklessness and

Review: Charmparticles – Sit Down For Staying

Review: Charmparticles – Sit Down For Staying
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CHARMPARTICLES SIT DOWN FOR STAYING Childstar Sit Down for Staying is supposed to be an updated variation on the shoegazer theme. It is full of guitars taken from Ride records, blue prints from Slowdive and given a touch of warmth that reminds me of current popsters The Stars. It does however lack the delicate balance

Review: CdataKill – The Cursed Species

Review: CdataKill – The Cursed Species
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CDATAKILL THE CURSED SPECIES Ad Noiseam 5/5 There are some things you should know about CdataKill. First, Zak Roberts is geographically close to us – Denver to be exact (note to promoters and people who like to keep on music in the surrounding states). Second, He is label mates with Salt Lake artist, Lapsed (just

Review: Blow Up Hollywood – Fake

Review: Blow Up Hollywood – Fake
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BLOW UP HOLLYWOOD FAKE www.blowuphollywood.com I never cared for the band Live. It wasn’t so much the music as the band itself. They always came off as pretentious and never achieved the sense of artistic creativity they seemed to think they had achieved. Blow Up Hollywood sound a lot like Live, only they’ve got the

Review: Blaze Feat. Sybil – When I Fall In Love

Review: Blaze Feat. Sybil – When I Fall In Love
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BLAZE FEAT. SYBIL “WHEN I FALL IN LOVE” (REMIXES) Jellybean Soul From the soulful lovers of New York-based label JellyBean Soul comes the 2004 remixes of another classic melody. Originally released on Funky People Records in 1998, it features the sentimental lyrics and vocals of Kevin Hedge and Josh Milan (Blaze/Elements of Life) and the

Review: Bongoloverz Feat. An-Tonic – Power Of Music

Review: Bongoloverz Feat. An-Tonic – Power Of Music
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BONGOLOVERZ FEAT. AN-TONIC “POWER OF MUSIC” Soulfuric Trax From the boys back east comes another punpin’ Latin bumper. Peak timing all the way, this Soulfuric Trax (think “Bulo”) release will move your body and floor. Produced by Groovemaster K., Daniel Garcia and Alexander Klaus (as the Bongoloverz), this record features the spoken word of Detroit

Review: DARKER BLUES – DAVID RACCUGLIA

Review: DARKER BLUES – DAVID RACCUGLIA
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DARKER BLUES DAVID RACCUGLIA Fat Possum Records  Street: 02.01.03 Fat Possum’s motto is “We’re trying our best,” and I’d say their best is damn good enough. This is a beautifully papered, beautifully bound book with artsy, full-color photographs of the Fat Possum roster of Mississippi’s second generation of original bluesmen with a two-disc label sampler