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    • Localized SLUG Mag’s Localized is the monthly, local music showcase founded in 2001 as a way for local musicians to receive recognition for their work. The monthly showcase provides bands playing with free posters to promote the show, a write-up in SLUG Magazine for the two headliners, payouts and digital promotion.
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Reviews: Ministry – From Beer to Eternity

Posted on September 5, 2013 (August 3, 2022) by Alton Barnhart
Ministry - From Beer To Eternity album artwork

I still think Ministry’s best stuff is the ‘80s new wave dreck that they only released so they could get a label deal, but this last hurrah was impossible to pass up.  … read more

Posted in: National Music Reviews

Reviews: Migrant Kids – Self-Titled

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

Migrant Kids’ debut doesn’t redefine anything, but they’re adept at creating relaxed, layered atmospheres of sound that build from stark keys to triumphant choruses.  … read more

Posted in: National Music Reviews

Reviews: The Memories – Love is the Law

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

Erik Gage and Kyle Handley use The Memories as a vehicle to express sunny dispositions, drug-dazed sentiments and other elements that can’t be shrieked in the syntax of their preceding punk band, White Fang. … read more

Posted in: National Music Reviews

Reviews: Mavis – Start Over

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

This is an album that would be easy to skip over unless you were looking, since its spine is unassuming strummy guitar and modest, youthful vocals. … read more

Posted in: National Music Reviews

Reviews: Maps – Vicissitude

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

James Chapman, the force behind Maps, began these songs at his Northamptonshire home, the place where his Mercury Prize-nominated debut We Can Create was recorded. … read more

Posted in: National Music Reviews

Reviews: Lycus – Tempest

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

It’s clear that Lycus know and understand their influences rather well, combining an atonal USBM riffing style with long sections of legitimately heavy and atmospheric funeral doom. … read more

Posted in: National Music Reviews

Reviews: Lemuria – The Distance Is So Big

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

Masters of melancholy adorableness, Lemuria’s third LP sounds as though it could be a long-lost relic of early ‘90s indie rock—and that’s a good thing.  … read more

Posted in: National Music Reviews

Reviews: John Tole – Reign in Laughs

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

For a comic who calls himself the “Slayer of Comedy,” John Tole spends a paltry amount of his set discussing metal. … read more

Posted in: National Music Reviews

Reviews: Jamaican Queens – Wormfood

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

While more notable acts like Purity Ring and Sleigh Bells benefit from finer production, Jamaican Queens fall short in this area.  … read more

Posted in: National Music Reviews

Reviews: Infected Mushroom – Friends on Mushrooms Vol. 2

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

I was a bit confused when I first pressed play on Infected’s newest album, because it sounded like some slow trance love song, but then the beat drops and quickens and the Israeli duo blows your fucking mind. … read more

Posted in: National Music Reviews

Reviews: The Howl – Things I’ve Learned While Swallowing S Words

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

What do you really get from a two-song release? In the case of Chicago-based The Howl, you get two songs, blow through them and then walk away with a serious case of musically induced blue balls. … read more

Posted in: National Music Reviews

Reviews: The Garden – The Life and Times of a Paper Clip

Posted on September 5, 2013 (January 24, 2022) by Alton Barnhart

The Garden write some very interesting riffs. In fact, both the drum work and the guitar work on “The Life and Times of a Paperclip” feature some surprisingly progressive moments—an interesting departure from the simple garage-style fare which Burger Records are known for. … read more

Posted in: National Music Reviews
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