VNV Nation fans have waited two years for Matter+Form and will delight in the latest efforts of Ronan Harris and Mark Jackson. … read more
Review: VNV Nation – Matter+Form
Review: Winter Solstice – The Fall of Rome
Ooh, tricky — I thought by the title and statue on the cover, this would be gothic metal or power metal, but it’s just another piece-of-shit screamo band. … read more
Review: With Passion – In the Midst of Bloodied Soil
It’s hit-and-miss with Earache Records anymore. It seems as though they are attempting to out-cheese Century Media and Metal Blade by signing SHIT!!! … read more
Review: Wartorn – Iconic Nightmare
Iconic Nightmare doesn’t fail to entertain, what with the leads in “No Sanctuary, No Salvation” and the barking crustoleum of “Permanent Blackout” and “Knee Deep in Blood,” but it’s certainly not leading the charge into territory that hasn’t already been exhaustively mined by the same label (Martyrdod? Wolfbrigade?). … read more
Review: Wild Belle – Isles
With an interesting mash-up of eclectic styles—including trip hop, reggae and ska—siblings Natalie and Elliot Bergman’s debut is equally unique. … read more
Review: Victory
Robert Fleming is the multi-instrumentalist behind Victory. He touts a 60s Brit rock sensibility and sports a rockabilly pomp—two promising signs for any music reviewer. Sadly, Victory is Music is indicative of neither. Don’t get me wrong, Fleming could pass as an authentic Britt Daniel sound-alike and can strum a hollow-body exceptionally, but it’s hard to notice at first, since every single song on the album is scrubbed and drenched with kitschy production. … read more
Review: Victory – Victory is Music
Robert Fleming is the multi-instrumentalist behind Victory. He touts a ’60s Brit rock sensibility and sports a rockabilly pomp—two promising signs for any music reviewer. Sadly, Victory is Music is indicative of neither. … read more
Review: VietNam – an A.merican D.ream
The sophomore album from this Brooklyn rock group is a wild ride, with dark, psychedelic tones festering throughout the record. At its best, you can settle down into the groove of certain songs, but the majority of the tracks tend to be misguided with no clear direction. … read more
Review: Waxahatchee – Cerulean Salt
On her first album, American Weekend, Katie Crutchfield (P.S. Eliot, Bad Banana) sang personally devastating songs about the great universals—love and loss. There she showed off an enormous songwriting talent that was nurtured on cross-country tours. … read more
Review: Wet Hair – Spill Into Atmosphere
Wet Hair = Abe Vigoda + Mode Moderne
Wet Hair is the project of Night-People Records founder Shawn Reed, who has been a quiet but influential independent label maker for a decade. Wet Hair has shared releases with Naked on the Vague and Peaking Lights, toured with Zola Jesus, and Spill Into Atmosphere is their second full-length album. … read more
Review: White Fence – Cyclops Recap
Lou Reed and his bunch made noise-rock famous in the late ’60s with their first album. Their second release, Loaded, was full of sunny melodies, excluding the raucous white noise. The man behind White Fence, Tim Presley, has created an album that plays like a fusion of the aforementioned albums, with a little “Crimson and Clover” and a hint of Western. … read more
Review: Witches Of God – Blood Of Others
Lord, just try to write about one of these bands without a Sab comparison. You can’t! … read more
