With Wolf being Tyler, The Creator’s third album, it is apparent that he has been hard at work. While still keeping with the Odd Future “fuck the world” mentality, Tyler has created an album that shows his progress as a producer and lyricist, the discomforts that fame has brought him and his growth as a person. … read more
Steampunk Experiment: Mechanical Cabaret = S. Maharba x Men In Burka
This album is a beat junky’s playground. As soon as I hear the buzzing bass and tweaked Eastern strings of “Sweet Talk,” I can think of multiple ways to sample the music. … read more
On this fourth album from Canada’s Two Hours Traffic, it’s safe to say they’ve taken their ability to create breezy and catchy pop-rock to the next level. … read more
Ahhh… one of these. You know, sweeping soundscapes and an oh-so Icelandic dose of studied aural ambivalence that’s supposed to concoct awe-inspiring sonic portraits of mountains, glaciers, frost-encrusted forest temples home to cherubic pixies, ice queens and … you know. Icelandic stuff. … read more
Modern Vampires of the City is truly a coming of age album that feels like VW made for themselves, more than their audience … read more
In the late 70s, documentary maker George Mitchell traveled the back roads of Georgia searching out the remaining bluesmen who could still play … read more
The cover of this album is a good hint as to what to expect from this album: Justine Kragen sits on a barstool dressed in all black with fishnet tights, as Steve McDonald stands behind a tiki-bar with a tiki-torch and tiki-lights, toucans, maracas, while an overabundance of the color maroon surrounds them. … read more
I imagine this album would be great to riot to. Smashing windows and throwing Molotov cocktails to punk is something I want to see. … read more
The whole album’s forte is their cynical yet often poetic lyrics. “Mantle in ’56” is a slower, blues-based ballad in which Schnabel compares his life to that of the New York Yankees’ most valuable player circa 1956, Mickey Mantle. I enjoyed this album—it’s very upbeat and has that classic ’90s punk rock sound in it. … read more
The unceasing energy and “up yours” attitude for which I’ve come to love Ty Segall is not what this album’s about. What I’ve found instead is a more mature Segall, basically the man and his real problems behind the usual curtain of fuzz and shouting. … read more
The World abounds in primary shoegaze elements: swirls of lush guitar and nostalgic, monotone vocals. Tracks here move in and out of noise and meandering sonic contemplation, with a dark energy reminiscent of Slowdive’s Souvlaki. … read more
A Winged Victory for the Sullen, Noveller, Celer, Black Swan and Pjusk (plus many more) breathe life into their structured explorations of softened noise and white, foamy swells of feedback and elongated tones. Concentrated as this compilation is, there is a surprising amount of variety running through the curated contributors. … read more
