I have been thrilled recently to hear heavy ’80s influences in upcoming pop and electronica music. Electric City exhibits warped, oceanic synth hooks and contagiously danceable beats. … read more
Review: Mierdaster – La Furia
Four albums in, and this Chilean metal-core (more of the latter than the former) demolition unit have started to find their moshing feet. … read more
Review: MB – Mental Machination Musing and Hic Omnia Ur-Aizib
I’ve always been on the fence regarding musicians/artists who mesh noise with dark ambient or soundscape-type material: Sometimes I absolutely adore it, and sometimes I simply throw the physical copy in the garbage. … read more
Review: MGMT – MGMT
It’s hard to take music that sounds so wonky seriously, like a few tracks on this record, but when it’s catchy and bizarre, you know there’s some magic in it. MGMT are clearly having fun with this album and it makes for one of the most interesting releases of the year. … read more
Review: Mick Turner – Don’t Tell The Driver
Don’t Tell The Driver would be the perfect album to ease a panic attack. The instrumentation felt loaded with a Southwestern vibe, making it feel as though I was traveling alone by horseback across the desert landscape, especially in “The Navigator.” … read more
Review: Mount Eerie – Pre-Human Ideas
Phil Elverum voices everything on the album, his voice ranging from very deep to melodically high-pitched. Though on the surface it may seem simple, Pre-Human Ideas sets out to prove that the electronic can, in fact, be quite natural, and that recomposition doesn’t have to be familiar. … read more
Review: Melt-Banana – Fetch
Fetch will have you scrambling after their lightning-paced rhythms and the frenetic phrasings of vocalist Yasuko Onuki, and Ichirou Agata’s guitar explorations—which are all over the place in terms of the fretboard and effects—that range from video game noises to natural sounds. … read more
Review: Moon Honey – Hand-Painted Dream Photographs
Baton Rouge, La. combo Moon Honey might lay to rest comparisons of that city with colorful New Orleans. Indie bands have dabbled with orchestral instruments before, but this product is psych rock with the theatricality of ’70s glam. … read more
Review: Mode Moderne – Occult Delight
For their third LP, Vancouver outfit Mode Moderne have embraced their goth pop style wholeheartedly and created their most confident album to date. … read more
Review: Mogwai – Rave Tapes
If I would have bet you 10 years ago that Mogwai would return to its synth explorations on 2003’s Happy Songs for Happy People and turn into a kinda boring post-rock band that locked itself into a relentless kraut groove, I would be $12.69 richer (adjusted for inflation). … read more
Review: Motörhead – Aftershock
In an age when most of the great classic hard rock bands are slowing down and approaching their twilight years, Motörhead keeps charging ahead, playing the hardest and truest rock n’ roll ever recorded. … read more
Review: Morgan Delt – Self-titled
Though this album might call to mind Morgan Delt’s contemporaries like Ty Segall and Tim Presley—perhaps even their collaborative effort, Hair—there is something much more methodical taking place on this record. … read more
