The Cobalt Cranes have got something good going on. They’re a solid lo-fi/shoegaze band and should be recognized for the amazing music they produced in their most recent album. … read more
Review: COMA – In Technicolor
It seems to me that the new trend among electronic artists is to include classical instruments in their production. In the opening song “Hoooooray,” COMA uses an accordion as well as other traditional instruments to create a slow and funky sound that gives electronic music a refreshing twist. … read more
Review: City Society – Self-Titled
Richard Cupolo, the man behind City Society, really reaches some alternative landscapes with his at-times Seal-esque vocals and fusion of rock, pop and dance. … read more
Review: Chris Wollard and the Ship Thieves – Canyons
Rollicking blues-thumping rock n’ roll bleeds out of these guys. Chris Wollard and the Ship Thieves are a full-throttle rock band with a full, rich sound that is as colorful and as it is raw. Wollard, who’s also in Hot Water Music, takes several steps closer to a more roots-influenced rock sound than he’s done in the past. His song writing, always at a high level, seems to have gone even higher, probably due to the fact that he’s the clearly at the helm of these Ship Thieves, and Canyons is very much his vision. … read more
Review: Cold Cave – Oceans with No End
This album is a two-song platter to showcase Wes Eisold’s electro-talents without a backing band. … read more
Review: CocoRosie – Tales of a Grass Widow
I must confess, when I first listened to CocoRosie, I dug it. … read more
Review: Coloured Clocks – Nectarine
Coloured Clocks’ minimalist formula for psychedelia reflects Spacemen 3, as well as the space rock of Pink Floyd by offering the mellow kind of psych or “dream-drone” that closes out a long summer day or welcomes in a sunrise when you’ve been up all night with friends. … read more
Review: Chrome – Half Machine From The Sun – The Lost Chrome Tracks From ’79-‘80
Helios Creed and Damon Edge cleaned out their pockets, gathered funds and purchased their music rights back from corporate grasp to release a piece of lost post-punk history. … read more
Review: Circus Devils – My Mind Has Seen the White Trick
What makes it all quintessentially Pollard is he doesn’t forget the rock: Amid all the dream sequences, there’s “Deliver Ice Cream (You Must)”—as if the ‘Emperor’ of Wallace Stevens’ poem was throttling an ice cream truck that cranked out a wicked riff. … read more
Review: Circus Devils – When Machines Attack
The second of two Circus Devils, released two days before indie-rock statesman Robert Pollard’s 56th birthday, is much more jagged and jarring, but still bears the warped rewards of Pollard’s twisted stream-of-consciousness wordplay, not just in subjects like “Arrival At Low Volume Submarine.” … read more
Review: Cold Summer – Self-Titled
Starting the album with “Car Crash (In Progress),” featuring the only funky bass rhythm on the album, Cold Summer’s debut album is rough and extremely unpolished but still manages to leave me wanting more.
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Review: Chuck Inglish – Easily EP
Good ol’ Chuck has always been a beast of collaboration, and this latest serving of tracks is a testament. “Swervin,” which features Sir Michael Rocks and Polyster the Saint, showcases classic Inglish/Rocks. … read more
