Review: LEGO Dimensions

Posted on October 13, 2015 (January 24, 2022) by Angela

LEGO Dimensions is unique because LEGO has 14 different licenses and worlds to explore—from Portal to The Simpsons. –SLUG Magazine … read more

Local Reviews November 2004

Posted on November 13, 2004 (January 24, 2022) by Asha Pruitt

A New Hope: My Impressions on the Star Wars Battlefront Beta

Posted on October 13, 2015 (January 24, 2022) by Angela

From what I’ve played so far, Star Wars Battlefront is shaping up to be the ultimate Star Wars fanservice video game. … read more

Tina Misrachi Martin: Alberto, Frida y Galería Misrachi

Posted on October 13, 2015 (January 24, 2022) by Angela

By the 1930s and ‘40s, following an artistic revolution and the peak of the Mural Renaissance, Mexico City had flourished into a thriving meeting-place of culture. … read more

FIDLAR: Honest, Clean, Original

Posted on October 12, 2015 (January 24, 2022) by Angela

Zac Carper wanted to create something original that didn’t take itself too seriously and didn’t focus on a single genre. Now we have FIDLAR. … read more

Def Leppard play USANA with Styx and Tesla

Posted on October 9, 2015 (January 24, 2022) by Angela

Styx played a stellar set that closed with the epic "Come Sail Away."

If the Def Leppard, Styx and Tesla concert at USANA proved anything, it’s that rock n’ roll knows no limits when it comes to its fans. … read more

Red Eyed Legends – October 2004

Posted on September 29, 2004 (January 24, 2022) by Asha Pruitt

“We’re the red-eyed legends from the night before, the TV babies from the media war.” – The Germs. [Red Eyed Legends: “Red Eyed” doesn’t have a hypen, you grammar-purist assholes.] Frontman and living legend Chris Thomson, Red Eyed Legend that is, lives in Chicago, where he says “It’s all right, some days, but it’s a

Review: The Leftovers: The Complete First Season

Posted on October 8, 2015 (January 24, 2022) by Angela

The Leftovers: The Complete First Season Warner Bros. Home Entertainment Street: 10.6 Two percent of the world’s population is gone. There’s no perceptible pattern as to who was taken. Nobody knows how, nobody knows why, nobody knows if they’re ever coming back. Opening with this premise, themes of the unknown feature heavily into The Leftovers.