Katchup – December 2004

Katchup – December 2004
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For the month of December, there are also plenty of discounts to be had out there for charities at different resorts. Here are a few chances to help the needy and help your wallet.  … read more

Dear Dickheads – December 2004

Dear Dickheads – December 2004
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Dear Dickheads, I have just one question, what in the Hell is “revival rock?”It sounds like something Rolling Stone or MTV might have come up with. Here’s what Random House has to say about the word “revival”: re.viv.al , n. 1. the act of reviving. 2. the state of being revived. 3. restoration to life,

Bellydancing – December 2004

Bellydancing – December 2004
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When I watch Shahravar dance, I am transported to another time and place: to exotic lands, spicy scents and multi-layered earthy music. There is magic and mystery in her interpretations, and an absolute excellence of technique. Her performances are always unique and beautiful, which comes from her obvious joy and delight in dancing, and translates

Contributor Limelight: Nick James

Contributor Limelight: Nick James

Nick James has been writing his Headphones column for SLUG Magazine for an entire year bringing a spicy, rare taste of DJ music culture to Salt Lake City. … read more

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER

Review: GOD SAVE MY QUEEN: A TRIBUTE – DANIEL NESTER
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GOD SAVE MY QUEEN: A TRIBUTE DANIEL NESTER Soft Skull Press Street: 04.2003 In Daniel Nester’s simultaneously lyrical and obsessive treatment of Queen’s musical and metaphysical legacy, both band and ostentatious frontman Freddie Mercury are offered far greater fates than the reputation that precedes the group’s recognizable work, i.e., “Bohemian Rhapsody,” and Mercury’s highly publicized

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH

Review: PICNIC GROUNDS: A NOVEL IN FRAGMENTS – OZ SHELACH
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PICNIC GROUNDS: A NOVEL IN FRAGMENTS OZ SHELACH City Lights Street: 04.01.03 Composed in a clean literary style devoid of muddied metaphors and overarching allegories, the hauntingly brief vignettes of Oz Shelach’s Picnic Grounds are guided by the concept of the commons: a series of publicly utilized resources, plots of land and amorphous societal rights.

Review: NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN WORDS

Review: NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN...
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NOISE OF THE WORLD: NON-WESTERN ARTISTS IN THEIR OWN WORDS HANK BORDOWITZ Soft Skull Street: 01.20.05 Don’t tell Condi, but imperialism is bad. That’s not necessarily so, however, when it comes to music. While it’s ironic that whiteys like David Byrne, Peter Gabriel and Paul Simon have opened up the world’s music to the West,