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Review: Yourcodenameis:Milo – All Roads To Fault E.P.

Review: Yourcodenameis:Milo – All Roads To Fault E.P.
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YOURCODENAMEIS:MILO ALL ROADS TO FAULT E.P. Beggars Banquet You can now officially add My Bloody Valentine to the list of over-used (and more often than not misused) stack of vernacular that lazy journalists are spewing out these days in an attempt at teasing the world into believing that soon we’ll stop waiting for Kevin Shields

Review: Zirafa – Turnstyles

Review: Zirafa – Turnstyles
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Zirafa Turnstyles Risk the Rook Turnstyles starts off nicely with breaking glass and electronics, somewhat reminiscent of what Depeche Mode did with “Blasphemous Rumor.” The second track, “Lost,” however, hints at something far more than interesting with its lighthearted piano giving way into distorted guitars and washed vocals. There is something slightly hip-hop by way

Review: Wumpscut – Blondi

Review: Wumpscut – Blondi
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Wumpscut Blondi Metropolis   Blondi was the name of Hitler’s German Shepherd. Coincidence or not, Blondi is the name of Rudy’s latest bitch. Not even a year since Bone Peeler, this six-track single, with two original tracks, previews for the latest, Evoke. It starts with military camp sirens for “Rush,” a catchy, danceable, 4/4, monotonous,

Review: Wai Pi Wai – S/T

Review: Wai Pi Wai – S/T
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WAI PI WAI S/T Hands Productions The collaboration of Jerome Soudan of Mimetic and Herman Klapholz of Ah Cama-Sotz burst into popularity during the 2004 edition of Maschinenfest where both musicians already held notoriety. The electronic journey begins with “Strings of Infinity,” a solid, melody-driven trancey track. “Dirty Mind” breaks into a Children of the

Review: Violent Entity – Mechanized Division

Review: Violent Entity – Mechanized Division
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Violent Entity Mechanized Division Black Rain The coolest things about Violent Entity is how he manages to pull out original old-school industrial without sounding dated or dull. As the only U.S. artist on the Black Rain label, Damon Dullinger had his work cut out for him to match the quality of labelmates Davantage and Feindflug.

Review: Winterkälte – Disturbance

Review: Winterkälte – Disturbance
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Winterkälte Disturbance Hands Production Winterkälte is one of the original rhythm noise acts that is still producing the finest in grating beats. Scratchy distortion and static screeching runs rampant on the 10 tracks of the German duo’s third full-length release. “Solar Peace,” “Eco Lateral Damage” and “Ban Depleted Uranium Weapons” indicate an environmentally charged political

Review: VNV Nation – Matter+Form

Review: VNV Nation – Matter+Form
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VNV Nation Matter+Form Metropolis Street: 04.12   VNV Nation fans have waited two years for Matter + Form and will delight in the latest efforts of Ronan Harris and Mark Jackson. Eleven tracks of Epic songs that are part of the future-pop founder’s repertoire reinvent the genre that blurs gothic, industrial and techno sounds. “Intro”

Review: Winter Solstice – The Fall of Rome

Review: Winter Solstice – The Fall of Rome
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Winter Solstice The Fall of Rome  Metal Blade Records Ooh, tricky—I thought by the title and statue on the cover, this would be gothic metal or power metal, but it’s just another piece-of-shit screamo metalcore band. Fuck this waste of plastic. And I wish these fags would stop trying to trick people into thinking their

Review: With Passion – In the Midst of Bloodied Soil

Review: With Passion – In the Midst of Bloodied Soil
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With Passion In the Midst of Bloodied Soil  Earache Records With Passion = Bathroom after lots of Mexican food It’s hit-and-miss with Earache Records anymore. It seems as though they are attempting to out-cheese Century Media and Metal Blade by signing SHIT!!! If this were Tatooine, I’d definitely be a Sith, as I’ve so easily

Review: Tzolk’In – S/T

Review: Tzolk’In – S/T
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TZOLK’IN S/T Divine Comedy Records The conceptual creation of Tzolk’in’s self-titled release is a collaboration conceived by Empusae’s Sal-Ocin and Gwenn Temorin of Flint Glass. Mayan mythology and the ritual calendar called Tzolk’in was the inspiration for the ritual sounds and mesmerizing beats produced on these eight tracks. Mastered by Herman Klapholz of Ah Cama-Sotz,