Month: July 2013
Review: Deap Vally – Get Deap EP
Deap Vally’s first EP sounds like a shitty version of Dead Weather. … read more
Review: Daft Punk – Random Access Memories
Right from the beginning of Random Access Memories, the tone is set through the first track, “Give Life Back to Music.” … read more
Review: Dark Tranquillity – Construct
The Gothenburg Swedish melodic death metal style may be a shadow of what it originally was … read more
Review: Dead Can Dance – In Concert
If you have ever heard Dead Can Dance, then it should be obvious that my “equation” does them no justice. … read more
Review: CocoRosie – Tales of a Grass Widow
I must confess, when I first listened to CocoRosie, I dug it. … read more
Review: Coloured Clocks – Nectarine
Coloured Clocks’ minimalist formula for psychedelia reflects Spacemen 3, as well as the space rock of Pink Floyd by offering the mellow kind of psych or “dream-drone” that closes out a long summer day or welcomes in a sunrise when you’ve been up all night with friends. … read more
Review: Charli XCX – True Romance
Charli XCX, that pop visionary with an indie cult status, has recently been made a serious run for platinum with Icona Pop’s “I Love It,” which she co-wrote. … read more
Review: BoySetsFire – While a Nation Sleeps
In an alternate universe, BoySetsFire would enjoy the popularity that the endless stream of emocore (or scene, or whatever they’re called these days) bands receive. … read more
Review: Big Deal – June Gloom
Though it opens on a gloomy note (which had me worried I was reviewing another downtrodden shoegaze album) with “Golden Light,” the album quickly morphs into cutesy upbeat dream pop that borders on twee. … read more
Review: Big Black Cloud – Black Friday
Random discordance screeches through my stereo right as I press play. … read more
Review: Bass Drum Of Death – Self Titled
When a single overridden guitar chord introduces the 10-second snare-drum-roll opening “I Wanna Be Forgotten” (the first track), the endless 15-second snare-intro of Cheap Time’s “Living In The Past” comes to mind. … read more
Review: Barrence Whitfield and the Savages
Even if you’ve never heard of Boston musician Barrence Whitfield, as soon as the opening track “The Corner Man” begins, you know he’s a seasoned veteran of the blues and rock and roll. … read more
