Month: May 2021
Saying “No” to Big Real Estate to Save the Utah...
Cloistered away from public view for over 15 years, the Utah Pantages Theatre was once a beloved, 1,700-seat venue. … read more
Film Review: The Dry
The Dry is a highly compelling and introspective film that thrives on an excellent screenplay, which was adapted from a novel by Jane Harper. … read more
Local Review: Man Meets Bear – Songs From the Hive
Man Meets Bear = Other Lives x Julian Lynch (Animals 2) … read more
Film Review: Cruella
Cruella just doesn’t work despite its best efforts. It ends up taking itself almost as deadly and pretentiously serious as Joker did. … read more
Film Review: Blue Miracle
Blue Miracle is done well enough to succeed as an innocuous family film that has a lot of heart and does its best to avoid being too sappy. … read more
Review: Olivia Rodrigo – SOUR
Olivia Rodrigo = Lorde x Courtney Love … read more
After a Rise to Stardom, Ritt Momney to Play 2021...
It makes sense that an artist with a name that’s essentially a simplified anagram of the more well-known Utah senator would hail from Salt Lake City. Although, I was first convinced that Jack Rutter of Ritt Momney came from elsewhere. In our interview, we chatted about how there’s normally a brief period in a native
Bold & Beautiful – SLUG LGBTQ+: Poppycock Visqueen
Orange wigs, campy performances and cheekbones cut so sharp they could slice you open if you get too close: Drag performer and artist Taylor Anne is all of these things and more. Known onstage as Poppycock Visqueen, a performance from Anne promises professional-grade vocals and a playful commentary on femininity. If you’re lucky enough, you
Film Review: A Quiet Place Part II
While A Quiet Place Part II may make you even more scared to be outside, it’s the best reason I’ve had to leave the house in a long time. … read more
Review: Ishtar Sr. – Divine Ecdysis
Ishtar Sr. Divine Ecdysis Grimalkin Records Street: 05.21 Ishtar Sr. = (J. Fisher x THEESatisfaction) x Headboggle density&destiny— in sound, narrative and concept, Ishtar Sr.’s (Savan DePaul‘s) Divine Ecdysis holds an almost unbearable concentration of weight and import. Best described as an avant-hip-hop space opera, the album narrates DePaul’s own journey toward a self-assured identity