Music
Localized: Charles Ellsworth
This month’s Localized, on April 18, will feature a mysterious hodgepodge of sincerity. Crook and the Bluff will start off the set with western-tinged psych-blues, after which blues crooning, working man rocking, badass motherfuckers Vincent Draper and the Dirty Thirty will sexy your face off. Following, mustachioed and chocolate-voiced singer-songwriter and strum-master Charles Ellsworth will finish things off. This delicious treat begins at 10 p.m. at Urban Lounge, $5 for those 21+. The night is hosted by Ischa B. and sponsored by Budweiser, Spilt Ink and KRCL 90.9FM. … read more
Cult Leader: God’s Lonely Children Emerge From the Shadows
Discussing the moment the group was faced with an uncertain future for their past project, Gaza, Mason says, simply: “It can’t end like that.” So, from ashes, Cult Leader was born in Salt Lake City. Within less than a year, Mason, Hansen and Lucero faced the end of a successful band, the creation of a new one, and became part of the Deathwish Inc. record-label family: a redemptive myth in the music world, if ever there was one. … read more
Localized: VINCENT DRAPER AND THE DIRTY THIRTY
This month’s Localized, on April 18, will feature a mysterious hodgepodge of sincerity. Crook and the Bluff will start off the set with western-tinged psych-blues, after which blues crooning, working man rocking, badass motherfuckers Vincent Draper and the Dirty Thirty will sexy your face off. Following, mustachioed and chocolate-voiced singer-songwriter and strum-master Charles Ellsworth will
Local Review: Silver Antlers – All a River
It is really wonderful to hear some new work from Skyler Hitchcox, the guiding light behind Silver Antlers. To the uninitiated, Silver Antlers is heavily ritualized pop music that explores the endless possibilities of dreamy, shoegazy drone that seeks to communicate with something bigger than ourselves inside ourselves. … read more
Local Review: Scalps – Serenades Of An Abomination
We’re not talking dandruff shampoo here. Scalps is assuredly a reference to those bloody spoils of war—a perfect mascot for the music this band makes. … read more
Local Review: Q1 – The End Is To Begin
Anyone that pays homage to Eminem on his album has my respect. Q1’s debut solo album, The End is to Begin, has such a unique sound that exemplifies his passion for hip-hop. … read more
Local Review: MoneyPenny – Self-Titled
If I wasn’t a decade removed from being 17, I’d probably be jamming to this pop punk album in my beat-up Chevy Lumina with a vanilla ice from Top Spot and my best friend, but I’ve since upgraded to a Subaru, pour-overs, a husband and post-whatever. … read more
Local Review: The Lazy Waves – Wavetable
Indie electro-pop is the en vogue subgenre at the moment and that is totally OK with me. The Lazy Waves’ latest EP combines a lot of the genre’s best traits, things like space-age synth sounds backing earthy lyrics and vocals, to create this solid four-track EP. … read more
Local Review: Taylor Fang – Or Die
The five-song album by local producer Nick Bentz is reminiscent of childhood Saturday mornings spent playing Super Nintendo with a bowl of milk and cereal. … read more
Local Review: In The Making – A Wisher, A Liar
First off, I like this album, so I’m going to get my biggest pet peeve out of the way before I get into it—this album sounds like it was recorded in a tin can, which is not a compliment. … read more
Local Review: her luminaria – The Dawn Is Your Enemy
her luminaria is quietly emerging into the SLC music scene with a beautiful collision of Midwestern grit and soft synth. … read more
Local Review: Foster Body – Landscapes
Foster Body are a punk combo comprised of four of SLC’s hardest-working millennials, happening an alternative scene around their friendships. Landscapes, their debut EP, captures the group at a brilliant moment of process—merging strong musical sentiments and live performance practice into a compelling vision for contemporary post-punk. … read more
