December 2013
Review: The Melvins – Tres Cabrones
The Melvins = Butthole Surfers + My War/In My Head–era Black Flag + Lysol-era Melvins … read more
Review: The Sounds – Weekend
The Sounds have released another album similar to their two most previous creations both in style and content. Indie folk influences with their typical electro-pop base won’t throw off or impress faithful fans. This album is about what you’d expect. … read more
Review: The Smoking Flowers – 2 Guns
IIt’s more interesting than the crop of artists on the pop country charts, but that isn’t saying much. For sheer listening—if you enjoy the storytelling lyricizing of the country genre—you could do far worse. … read more
Review: The Coathangers/Audacity – Split 7 in.
The Coathangers are vinyl addicts, releasing a series of 7″ splits every six months through Suicide Squeeze with a variety of punk peers the past couple years. … read more
Review: The Difference Machine – The Psychedelic Sounds of the...
The Difference Machine meld together the meditative effect of psychedelia with urgent rhymes about spiritual awakening. Dr. Conspiracy’s King Geedorah–style, trance-like beat is matched with emcee DT’s seamless flows and Reid Richards’ witty lyrical tour through Marvel Comics superheroes in “Marvel.” … read more
Review: The Forum Walters – Lederhosenpunk
This whole album can be summed up in just one word: positivity! It kept me in a good mood right from its arousing intro, kicking right into the upbeat ska/punk title track that possesses me to skank whenever I hear it. … read more
Review: The Head and the Heart – Let’s Be Still
Let’s Be Still is a step away from spontaneous songwriting, intending to be a thoughtful, more mature sequel. In reality, most of the tracks seem overthought and lack musical interest. … read more
Review: The Hunt – The Hunt Begins
Given the “what’s cool” music climate of 2009, this album is visionary: McGandy croons in his lush pogo/post-punk–crossover baritone, almost breaching his voice’s breadth into a holler. “Fifteen Minutes” exhibits rhythmic dynamics that propel the “What have we done to all the young men?!” chorus (which, at least, nods to a street punk gang-vocal motif). … read more
Review: The Icarus Line – Slave Vows
On this, their sixth full-length release, The Icarus Line deliver brain-straining intensity in the form of dirty, spastic guitar flares and embittered lyrics sung in an Iggy Pop kind of quiver. … read more
Review: Succubus – Descend Unto Gehenna
Succubus take the chaotic approach of their slashing over grooves fixing on great—for a lack of a better term—“old school” qualities of the death metal and thrash genres, but do it without sounding like a hack or re-hash artists. … read more
Review: Sumie – Self-Titled
Blending European and Japanese imagery, Sumie invokes complex lyrical ideas, creating an interesting juxtaposition between the simple and the intricate, which ends up working beautifully. Instrumentally, at its most complicated, it uses only background vocals and a piano while Sumie’s voice spins gracefully around, intricately weaving each piece together into the stunning closer that is “Sailor Friends.” … read more
Review: Sunwolf – Angel Eyes
The lyrics are cheesy, and the instrumentals would be really well received at a high school house show. There is a lot of simple, cheesy lo-fi out there that is really good, but this album lacks the charm required to turn those weaknesses into strengths. … read more
