Issues: Issue 303 - March 2014
Local Review: Joe Ecker – Into The World
Moodier than Garfield on Monday and not nearly as fun, Joe Ecker makes up for what he lacks in musicianship with a strong voice and earnest (almost embarrassing) lyrics. … read more
Local Review: Grits Green – Imagination In Motion
I commend Grits Green for having a unique and innovative sound in their most recent album, Imagination in Motion—though it’s hard to classify it as solely hip-hop/rap. … read more
Local Review: I See Your Nightmares – Affinity For Broken...
The latest entrant in the local oddball folk music area, I See Your Nightmares includes some experimental and even slightly prog-amplified touches, like in the fuzzed-out musings of “Crocodile Tongues.” … read more
Local Review: Fleetwood – Saying Goodbye
Fleetwood puts his soul into the lyrics on this album, which is a defining quality for an artist. He vocalizes what he knows, speaking on topics such as family, love, his hometown and his career. … read more
Local Review: gLife – All I Know
All I Know is an orchestrated mix of classical sounds with hometown flows from gLife. This album has a blend of uplifting, hard-hitting, independent songs and somber melodies about love and life. … read more
Local Review: Exoboy – Badly Coded Boy
Experimental is the first word that came to my mind when I listened to this. It sounded like something made purely on Ableton with scattered samples and perhaps a small MIDI controller. … read more
Local Review: Deathblow – Prognosis Negative
SLC’s Deathblow have been kicking around for a while now, getting a great reputation from their “fast thrash up your ass” live shows. … read more
Local Review: DeepWise – A Way Out
It’s made clear in this album that local producer DeepWise has many talents, as the album paces back and forth from rap to psy-trance tracks. … read more
Local Review: Desert Noises – 27 Ways
The “folk rock by way of Roky Erikson” sound concocted by Desert Noises isn’t anything new, but the standout track on the album, “Elephant’s Bed,” is an ominous and tuneful track that blisters at the end into a Neil Young–esque guitar solo—like something out of Rust Never Sleeps. … read more
Local Review: Drunk As Shit – Drunk Punk Thrash
Let me assure you, readers, that this album holds true to its title—punk rock, thrashin’ and drinkin’, nothing more, nothing less … and I fucking love it!
… read more