On Wednesday, November 20, Brewvies hosted a sold-out screening of Brian Olliver’s canyoneering documentary, Gorging. Aside from being a visual feast, Gorging provides a thrilling glimpse into this exciting and somewhat unknown sport. … read more
“The character I play is very innocent, but also very heroic and powerful, and teaches people how to get outside of themselves a little bit and look at the world in a different light—to challenge them to see the world with a little bit more beauty and reverence, but definitely, the drumming drew me to the show.” … read more
Bill Callahan seems like the minimalist indie songwriter par excellence, letting his lyrics, often more spoken than sung, work their dry yet poetic magic, but on stage with a full band, you realize that they are capable of a much more deep and uncanny array of tricks. They surprised from the get-go, opening with a cover of the Velvet Underground’s “White Light/White Heat,” in tribute of the recently departed Lou Reed. Callahan is perhaps the only singer who could deliver the lines more dryly than Reed. … read more
Lissie took a different approach and recorded this album with her band, rather than as a solo artist. Lissie originally played with studio musicians, but she says, “I have really honed a sound together through touring the last few years, so it was important to me and just natural that they be on Back to Forever.” It’s not always easy to bring the same attitude to an album that exists during a live performance, but “… the attitude and rock we bring live is present on this album” she says. … read more
From the get-go, the small cluster of people to my right, all huddled beside the large speaker hanging from the ceiling, are in their thrall. Two kids with jet black hair are laboring over a sharpie mural on the plywood wall, only stopping intermittently to do something that resembles a dance, but is more likely some ancient satanic ritual, their possessed bodies twisting along with those sweet bass lines. … read more
It wasn’t utterly packed—just full. Cat Power draws an interestingly eclectic crowd: professors, obligatory hippies, hipsters and maybe a vegan–straight edge kid, too. After the release of her electronica album, Sun, it seemed that there was a yearning for the older, more classic styling of Chan Marshall, and there was no better way to realize that desire than an intimate, seated setting where she would perform solo. … read more
There is no better way to reproduce a Van Gogh, I believe, than under the influence of alcohol, and The Paint Mixer, a paint and wine studio that recently opened a second location in Sugar House, provides just this stimulating opportunity. … read more
“Every creative decision I make happens organically and I don’t question it. I don’t think, ‘Is this good for my career or bad for my career? It’s whatever I’m just naturally interested in and just sort of driven to do, in a way. I don’t really question it,” says Barnes. It is Barnes’ avid interest in the world and lack of musical inhibition that has allowed of Montreal to experiment with a spectrum of different sounds and ideas that would make most musicians jealous. It is this kind of unbridled passion for life and music that makes of Montreal so unique. … read more
November 15–16, Mothers Without Borders will provide a charitable opportunity by hosting “Be the Change,” its 8th annual fundraising boutique featuring a variety of hand-made African and American crafts for sale. … read more
Heavenly Beat is the sort of band name that sticks to a project perfectly. John Peña’s Balearic indie pop arrangements balance classical guitar, steel drums, harmonica and mellotron to make lush, serene, heavenly songs. … read more
Everyone’s eyes, glassy from drink or smoke, are all affixed to the stage again, a pale blue light accentuating their impatience to see the main attraction: Bonobo. Soon enough, there is movement on the far right of the stage and a man in a tiger mask makes his way onto the stage and takes his place at another DJ booth that sits higher center stage, above the drum set, the other DJ booth, keyboard and wind instruments. Simon Green, the mind behind Bonobo and the person behind the tiger mask, begins to adjust his equipment and music is being built in front of our very eyes. … read more
Throughout their set, more and more people wander into their performance in search for something a little more refreshing than the press-play-and-go antics provided by Calvin Harris across the park. By the time the band played their closing song, “Wild,” from their debut album Glow, they definitely had quite a few new fans, including myself. I sat down with Royal Teeth for an interview where they gave SLUG the low-down on their current careers, future plans and what it took to get where they are now. … read more
