Lou Reed and his bunch made noise-rock famous in the late ’60s with their first album. Their second release, Loaded, was full of sunny melodies, excluding the raucous white noise. The man behind White Fence, Tim Presley, has created an album that plays like a fusion of the aforementioned albums, with a little “Crimson and Clover” and a hint of Western. … read more
Review: Witches Of God – Blood Of Others
Lord, just try to write about one of these bands without a Sab comparison. You can’t! … read more
Review: Vial of Sound – Substance Organique Volatile
I often cringe when I hear stuff from artists that heavily depend on synth to create their music, because it generally sounds overdone, but Vial of Sound make it work. … read more
Review: Virginia Wing – Red Sails
This 7” features two great little indie pop tunes from the English group Virginia Wing. … read more
Review: White Flag Down – Never Surrender
Is there a set of specifications to be considered a Clockwork punk band? Because I’d imagine that The Adicts would be an example that most bands would look to. … read more
Review: White Orange – Onawa
After a relatively successful and intriguing debut album, White Orange appear to be stepping away from the snappy rock tunes of their self-titled and into the realm of spacey atmospherics. … read more
Review: Witch Cross – Axe to Grind
There’s always something refreshing about a legitimate ’80s metal band getting back together, but it’s rare to see such an enormous gap between their releases. … read more
Review: Willy Moon – Here’s Willy Moon
Here’s Willy Moon sounds like a dark night on a hot city street. It’s hard to define because it’s bustling like a hundred cars, yet has a consistent and unique sound. … read more
Review: Witherscape – The Inheritance
Dan Swano is back with a force. Well, back with musical creation—not producing on—his mind. … read more
Review: VIZA – Made in Chernobyl
I bought the album Made in Chernobyl from VIZA when they were opening up for Gogol Bordello last August, and I fell absolutely in love with it. … read more
Review: Willis Earl Beal – Nobody Knows
With his sophomore album, Willis Earl Beal has shown that he can deliver powerful hits without sacrificing the raw honesty that was delivered through CD-Rs scattered throughout Albuquerque before he got a record deal. … read more
Review: Warmaster – The End of Humanity
Chunky, even what I’d describe as blocky, riffs dominate the album, with a bottom-end filled out by a syrupy thick bass sound continuously rip out the riffs to satisfy any old school death metal fan’s palate. … read more
