For their debut album, this Brooklyn-based duo pleases the listener with a relaxing experimental electronic album that features beautifully harmonized female vocals paired with synthesized drumbeats, similar to the Garage Band style production favored by acts like Grimes. … read more
Review: The Pack A.D. – Do Not Engage
The follow-up to 2011’s Unpersons, Do Not Engage again finds The Pack deep inside the blues-rock universe with some sharp, tight guitar riffs and soulful, rough-spun vocals from Becky Black and driving rhythms from Maya Miller. … read more
Review: The Rebel Set – How To Make a Monster
The ultra-quick single-string picking that opens How To Make A Monster drowns in wet reverb the way The Ventures did it. … read more
Review: The Supersuckers – Get the Hell
They are bluesy enough to sound authentic when they put harmonica over the romper of a song “Fuck Up” and rootsy enough where you can hear the country and rockabilly influence in even their most hard-charging guitar licks. … read more
Review: The Slow Death – No Heaven
No Heaven is a combination of fast, loud and angry Oi! music, with whiskey-soaked vocals, layered with dark, depressing lyrics. So, like the number “I Need A Drink,” I need to get myself a pick-me-up after this one. … read more
Review: The Ska-Skank Redemption – Wicked Bees
Songs like “Hit ‘n’ Run” and “Age of Wine” resemble the traditional dance-like ska beat. “Minnesota” brings a lot more emphasis on the guitar, giving the song a more raw, punk rock edge to the EP—all while lead singer Dan Christianson upholds clean and emotional vocals similar to that of Billie Joe Armstrong. … read more
Review: The Lawrence Arms – Metropole
Keep in mind, diehards—it’s been eight long years since The Lawrence Arms released a full-length album. In that time, they were signed to Fat Wreck Chords and cultivated a sound similar to Dwarves. Now, through Epitaph, they have released an album that shows a more dynamic approach toward their music. … read more
Review: The Reserves – Made in Tennessee EP
This is blue collar rock n’ roll from the Volunteer State. If nothing else, Made in Tennessee holds the marked distinction of featuring a punk cover of the old folk standard “Oh Shenandoah.” … read more
Review: The Traps – Boom Pow Awesome Wow
Fans of the old Sun Records artists will find themselves at home in the blues number “Get Up,” both in the lack of pretentious musical build-up and sound quality. But there is a GG Allin brand of perversion here that might repel listeners who like their rock n’ roll with a hint of cute irony, because there’s none of that. … read more
Review: The Tower of Light – Self-Titled
This debut album has all of those things we like to associate with dream-inducing, cinematic doom: dark and brooding soundscapes; swirling, droning guitars; airy, repetitive vocals and drums that burst above the rising haze. … read more
Review: The Men – Tomorrow’s Hits
It seems that The Men have been moving away from their aggressive roots in favor of piano riffs, harmonicas, and slow, steady guitar solos. It is a step forward. … read more
Review: The Menzingers – Rented World
Well, The Menzingers have delivered another album that the disgruntled and eccentric youth can tap their feet and bob their heads to. … read more
