It’s clear by the title of the album that not even Orchestra Of Spheres know quite what to make of it. If you think that the electro-punk (another fitting definition for OOS) of LCD Soundsystem is too tame of a classification, then maybe this band is for you. … read more
Review: Ovlov – Am
Ovlov’s instrumental simplicity is reminiscent of indie-precursors like Pavement or Mclusky. The vocals have a bit of that post-punk whininess and the lyrics are, for the most part, indiscernible, but they do it well. … read more
Review: Panama – Always EP
It is hard to categorize this Sydney-based quartet, fronted by the talents of the classically trained Jarrah McCleary, and having now listened to the original—and fairly mellow—versions of three tracks comprising this, their sophomore EP, I would say: “disco-lite.” … read more
Review: Phantogram – Self-Titled EP
There’s no real pretense here: All four tracks have been plucked from the new full-length, with the main single, “Black Out Days,” being the standout with its infectious chorus and striking rhythm. … read more
Review: Orrin Campbell – Nocturnal
Orrin Campbell, an 18-year-old rapper from Brooklyn, recorded this debut album in his NYU dorm. It’s downtempo hip hop set to atmospheric spacey beats—call it minimal seapunk, if you like. … read more
Review: PEP – My Baby and Me
Not sure if this is parody or homage, as My Baby and Me is clearly indebted to girl pop groups like The Ronettes and The Shangri-Las, but it brings absolutely nothing new or modern to add anything fresh to what those groups started. … read more
Review: Orthy – E.M.I.L.Y. EP
Ian Orth’s edits, meant for Austin’s electro dance Learning Secrets, ended up as the four songs on this EP and are typical electro-pop of the moment—but I feel as if there’s nothing super enticing or even pleasantly generic about them (though a Baio remix of the title track provides a nice twist on the EP’s singular sound). … read more
Review: Painted Palms – Forever
Painted Palms’ debut EP, Canopy, saw its release in 2011 and was later discovered by of Montreal’s Kevin Barnes. After gaining momentum from touring with them and STRFKR, Painted Palms has released a stellar LP, which sounds as vintage as it does modern. … read more
Review: Origamibiro – Collection
Samples of the guitarist’s creaking chair, sounds of his breath and the squeak of the wood in the guitar were implemented in the songs. It gave a very personal and intimate feel to the album. This album is a lengthy novel in comparison to the norm and is something that should be listened to intently rather than as an accompaniment. … read more
Review: Outrageous Fun – Trustfund DIY
Trustfund DIY moves through the greater lo-fi genre, reminding me of a new group with every song, but always holding an upbeat quality I’d associate with Marvelous Darlings. The album opens with “Town Like This,” which could be Matt Whitehurst of Psychedelic Horseshit singing over Cloud Nothings’ first album. … read more
Review: Overlake – Sighs
The opening track (aptly titled “First”) is sleepy and cinematic, a dramatic yet understated introduction to an album that attempts to walk the fine line between indie and post-rock. … read more
Review: Patrick Sexx – The Shadow That Took Shape
Patrick Sexx created an album that sounds like a coloring book from an alternate reality. The title track has a slow synth accompanied by an upbeat chorus of backing vocals, which create a friendly atmosphere that sounds like a waking dream. … read more
