Review: Kiko Navarro Feat. Marcel – M.U.S.I.C

KIKO NAVARRO FT. MARCEL “M.U.S.I.C.” (Bubble Soul Re-Edits Volume 1.) = (Jay-J/Marquez/David Gomez/DJ Pippi) Bubble Soul Records   Pachas’ very own Kiko Navarro, doing it again. Featuring the words of Marcel, “Music” is by far one of the choicest spoken-word tracks to date! Varying from each mix, this 3-tracker carries organ stabs and synth sweeps

Review: Joey Negro – In The House

Joey Negro In The House Defected Records   What does Joey Negro, Akabu, Raven Maize, Sessomato, and the well-known Jakatta (Remixer of “American Dream” from movie American Beauty) have in common? These diverse dance-floor anthem originators share the same mind—Dave Lee. Releasing more hits than any other UK producer and remixer, Dave Lee (JN) is

Review: Kasabian – Self-Titled

Kasabian Self-Titled RCA Kasabian have been a guilty pleasure of mine since hearing the opening of “Club Foot.” Granted, they aren’t completely original. You can pinpoint various points in Manchester’s history of music that pop up in abundance throughout the album, fitting in somewhere post-Happy Mondays and the Charlatan’s happier days with a dash of

Review: John Cale – Shifty Adventures In Nookie Wood

John Cale - Shifty Adventures in Nookie Wood

John Cale
Shifty Adventures in Nookie Wood
Double Six
Street: 10.01.12
John Cale = Bauhaus + The Velvet Underground x Brian Eno
Stand back, kids … at 70, sporting pink dye in his white hair, legend John Cale (The Velvet Underground and too many others to name) is rockin’, and not in a rockin’ chair, son. This album is chockful of his smooth and unmistakable voice––like the voice Jim Morrison might have grown into––his standard drone and his louche lyrics that rival Leonard Cohen’s for their depth. You don’t so much listen to Nookie Woods as you get grabbed and bodily hauled in for some very shifty adventures, indeed. The opener, “I Wanna Talk 2 U,” a collaboration with hip-hop producer Danger Mouse, explodes out of your speakers. The masterful “Hemmingway” rattles you with its building intensity, while “Face to the Sky” is a gorgeous melding of electronic and organic elements, a swooping, woozy nod to Dali’s Car and Bowie. But lest all this ancient name-dropping makes you think the album is a throwback, worry not: there’s nothing old-fashioned about it. Cale seems committed to moving forward with music, playing around with over-processed autotune on “December Rain,” but he’s not afraid of organic acoustic sounds, as on “Mary.” If you don’t already know Cale, it’s time you met him, and a trip to the Nookie Woods is a fine place to start. –Madelyn Boudreaux … read more