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    • Local Reviews SLUG Magazine’s collection of reviews covering the latest and greatest of Utah-based music, covering all varieties of genre, style and type.
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    • Localized Features SLUG Mag’s Localized is the monthly, local music showcase founded in 2001 as a way for local musicians to receive recognition for their work. The monthly showcase provides bands playing with free posters to promote the show, a write-up in SLUG Magazine for the two headliners, payouts and digital promotion.
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    • Localized SLUG Mag’s Localized is the monthly, local music showcase founded in 2001 as a way for local musicians to receive recognition for their work. The monthly showcase provides bands playing with free posters to promote the show, a write-up in SLUG Magazine for the two headliners, payouts and digital promotion.
    • Brewstillery SLUG Mag’s Brewstillery celebrates Utah’s breweries and distilleries by offering tastings of local beer and spirits. Featuring local food trucks, local artisans and crafters and local music—this all ages event has something for everyone to enjoy. It’s a family-friendly event with kids 12 and under free.
    • Anniversary Party SLUG Magazine celebrates its year anniversary in February with a party featuring talented musicians from across Salt Lake’s strong musical culture and other events like fashion shows, tarot readings and more.
    • SLUG Cat Every year SLUG Mag hosts the SLUG Cat bike race to celebrate SLC’s vibrant bike community. Inspired by the scavenger hunt-style bicycle races made popular by bike messengers in places like New York and San Francisco, SLUG Cat has become an unparalleled event in the community and is a must for all local riders, whether you’ve been cycling for years or are still on training wheels.
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Review: Beat Mark

Posted on May 28, 2013 (January 24, 2022) by Asha Pruitt

rance’s Beat Mark invoke the lazy, Brit-pop sound of the mid-80s with their debut album, Howls of Joy, 13 rushed tracks that leave much to be desired in the world of tone and song structure.  … read more

Posted in: National Music Reviews

Review: Be’Lakor – Of Breath and Bone

Posted on June 3, 2013 (January 24, 2022) by Asha Pruitt

With the Gothenburg Swedish melodic death metal scene a shadow of what it once was, melodic death metal’s torch is being held by band outside the Swedish Circle, such as Be’Lakor from Australia. … read more

Posted in: National Music Reviews

Review: Barren Womb/Remote – Self-Titled Split

Posted on June 4, 2013 (January 24, 2022) by Asha Pruitt

You can’t help but foil bands whenever you’re faced with a split. There is no better band between the two—the only victor in this split is the audience. … read more

Posted in: National Music Reviews

Review: Bass Drum Of Death – Self Titled

Posted on July 2, 2013 (January 24, 2022) by Asha Pruitt

When a single overridden guitar chord introduces the 10-second snare-drum-roll opening “I Wanna Be Forgotten” (the first track), the endless 15-second snare-intro of Cheap Time’s “Living In The Past” comes to mind. … read more

Posted in: National Music Reviews

Review: Barrence Whitfield and the Savages

Posted on July 23, 2013 (January 24, 2022) by Asha Pruitt

Even if you’ve never heard of Boston musician Barrence Whitfield, as soon as the opening track “The Corner Man” begins, you know he’s a seasoned veteran of the blues and rock and roll. … read more

Posted in: National Music Reviews

Review: Belle Adair – The Brave and the Blue

Posted on July 23, 2013 (January 24, 2022) by Asha Pruitt

 Belle Adair = Iron and Wine + My Morning Jacket / Peter Bjorn and John … read more

Posted in: National Music Reviews

Review: Benjamin Finger – Listen To My Nerves Hum

Posted on July 23, 2013 (January 24, 2022) by Asha Pruitt

Equally as haunting as it is soothing, Listen To My Nerves Hum is perfect for any ambient lover with bipolar tendencies.  … read more

Posted in: National Music Reviews

Review: Beaten to Death – Dødsfest!

Posted on December 4, 2013 (January 24, 2022) by Asha Pruitt

There is something significantly and singularly charming about the low-fi melodies Beaten To Death employs alongside genre staples like pig squeals, demon growls and face-blasting double bass.  … read more

Posted in: National Music Reviews

Review: Be Like Max – Just Tryin’ To Fit In… Ur Mom

Posted on February 6, 2014 (January 24, 2022) by Asha Pruitt

For me, when I thought of reckless, social commentary ska-punk, bands like Less Than Jake and Reel Big Fish came to mind—now I can officially add Be Like Max to that list, though I had trouble getting into this album with its first two tracks. … read more

Posted in: National Music Reviews

Review: Beck – Morning Phase

Posted on March 6, 2014 (January 24, 2022) by Asha Pruitt

 Beck, once pop music’s most reliable shape-shifter, now finds himself compelled to rehash his past glories; namely Sea Change. If you ever wanted him to make that record again, your prayers have been answered. … read more

Posted in: National Music Reviews

Review: Behemoth – The Satanist

Posted on March 6, 2014 (January 24, 2022) by Asha Pruitt

Fans of Behemoth have waited five years for this album, which is ceremonial, sinister and satisfying as hell. “Blow Your Trumpets, Gabriel” begins the ritual with hypnotic percussion and repetitive riffing, then attacks the entranced listener with Behemoth’s signature breakneck speed, accompanied by a diabolical chorus and trumpets. 
  … read more

Posted in: National Music Reviews

Review: Beth Thornley – Septagon

Posted on March 6, 2014 (January 24, 2022) by Asha Pruitt

It’ll sucker- punch you in the heart when you least expect it, and that’s powerful. Thornley writes clean songs, simple and to the point with pop-ballad lyrics. The four tracks that make up Septagon may be made-for-TV, but they’re still bona fide. … read more

Posted in: National Music Reviews
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SLUG Mag is one of Utah’s longest-running and most experienced independent magazines. Since 1989, SLUG has given a voice to Utah’s community and continues to expand its coverage in both print and digital media.


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