The thing about this 2WENTYTHRE3 is that it’s really pretty good for what it is. From the little information I could find about Jared Smith, a Utahn, he’s taking himself pretty seriously and trying earnestly to turn in a solid effort for his sound and his branding, and it’s easy to tell that he is working very hard at both. … read more
Ah, the split album—it’s a perfect way to showcase new bands and display the diversity of a musical community. This split features three songs apiece and a collaborative track from two of Salt Lake’s most exciting bands in the world of aggressive music. … read more
Jon Rappaport’s debut EP is a rhythmic, warmly melodic, complexly layered record that really shows off his skills as a producer. It’s evident that he has great instincts for composition from the fact that each track becomes a journey, bringing the listener along. … read more
Born Brave is Katherine Nelson’s first album, and it is a really fucking beautiful debut. She’s had plenty of experience to build on, having performed with The Nashville Tribute Band, among others, as well as having some acting experience playing Emma Smith in several films involving the Mormon icon. … read more
When I played the first track from Nick Foster’s Total Data, it seemed erratic, busy and slightly irritating—“Just Pick Yes” made me want to just say no. It has a mix of samples put together without fluidity that made me feel like my ears were being drilled by infomercials. I decided to give the album a second chance and listen to it with a completely open mind, so I smoked a doobie and pressed play. … read more
Much like many people who play games online, for years I never gave a second thought to the mousepad I had on my desk. It was never a factor other than I needed something for my mouse to sit on and roll across. … read more
While working at The Knick, Thackery pushes the boundaries of medicine, morality and race relations all while also trying to solve a plethora of 1900s medical problems as well as trying to hide and balance a cocaine addiction. … read more
This four-piece rap outfit from Salt Lake is ambitious—they acknowledge they are less about the hooks and more about lyricism. This release finds three MCs trading verses over beats by DJ Drix.While the energy and devotion to hip hop culture are evident, it’s hard to see at first what sets these guys apart, aside from being local. … read more
Aside from the cheesy 25-second intro that kicks off this five-song EP, this record is made up of some pretty good tracks from the local four-piece group. Although the first couple of songs, “Carnival Court (Step Inside)” and “Purple Sky,” feature a punk reggae vibe, the remaining tunes are different in style. … read more
First impressions of this metal/punk duo from Salt Lake City should be shunned—Stalemate Flesh may have the tendency to scare listeners away. The tones on Freedom 2020 initially are in the one-note realm—the guitars don’t move far from their roots, nor do the vocals—but that’s the band’s point: They’re not trying to be dramatically proficient with their instruments. … read more
Just as their album art suggests, Starvist saw off rhino horns with Taker Mythology, a fresh gulp of contemporary hardcore. Drummer Chase Cluff is a technical beast in his own right as he seamlessly transitions from technical rolls on his snare and slides into a smooth 6/8 beat with fluffy ride taps in “You Just Don’t Fool Me Twice.” … read more
Nobody can resist headbanging to Final Spell. Visigoth gets right to the point in “Creature of Desire” as frontman Jake Rogers’ perfect falsetto crescendos into “whoa-oh-oh”s with the aid of the front line, exhibiting vocal prowess akin to Rob Halford. … read more
