Year: 2013
Local Reviews: Austin Joseph
Early Years, Austin Joseph’s first album, has an intriguing duality to it—whether it was a conscious effort is left to the listener to decide. To start, Mr. Joseph looks pretty clean cut: all smiles, hair gel and jeans. His musicality reflects this clean-cut image: uplifting keys and inspirational guitar. It’s clear that Joseph has extensively studied the catalogs of Pete Seeger, Gordon Lightfoot and other guitar-wielding good guys. … read more
Local Reviews: S.L.F.M.
This 14-song, 13-and-a-half-minute album is a sweet little treat indeed. S.L.F.M., the brainchild of SLC musician Jessica Davis, is one our cities finest projects. With buttery vocals reminiscent of Pink Martini’s China Forbes, frenetic strumming not unlike Dead Kennedys, and the unique use of distorted ukulele to set the mood, these tunes are ridiculously original and fun. … read more
Local Reviews: Creature Double Feature
Davis and Mason Johnson aren’t only brothers, but also are an example of today’s precocious youth—the kind that terrifies old people. Ground Zero is an impressive digital dream-pop effort, especially considering the bandmates are just 17 and 14 years old. … read more
Local Reviews: Despite Despair / Gunner
Squealing guitars and gritty breakdowns dot the mathcore landscape of this local split, which showcases two bands with similar influences to create undeniably different, but thematically similar music. Despite Despair begins with “Elohim,” a short track which starts slow and somber, with twangy, dissonant grooves reminiscent of Pelican’s Australasia. … read more
Local Reviews: Dirtbags Don’t Die
Dirtbags Don’t Die reminds me of those Hellcat Records compilations, Give ‘Em the Boot, which were full of all sorts of punk, hardcore, ska and a ton of other genres. Dirtbags Don’t Die can blast out top-notch punk rock, like on “Suckerpunch,” and the next thing you know, they’re seamlessly slipping into a laid-back ska tune like “I Remember.” … read more
Local Reviews: Doomed to Extinction
This is a batch of three recording sessions slapped onto one CD-R from a salty trio of grindcrushers, all captured (as the title suggests) in Raunch’s back room. Doomed to Extinction cops their name from a killer Disrupt cut, and the nominal homage lends a solid, sonic reference point for the liminal space they occupy, like crud under a toenail, ’tween grind, crust and sludge. … read more
Local Reviews: Stories of Ambition
Stories of Ambition is ambitious, indeed. While the band has added members since the recording, everything on this album was written and performed (or in the case of the drums, written and programmed) by one man, Zach Hyte, formerly of Oh, Antarctica. … read more
Local Reviews: Euphoria Again
Euphoria Again is a minimalistic indie folk group whose music is comparable to a large, abstract art piece: It’s aesthetically engaging from afar, but observing it closer doesn’t bring any additional gratification. … read more
Local Reviews: Quiet The Titan
This is definitely a high school band, but if you take the pubescent-sounding vocals with a grain of salt, you’ve got the skeletons of a fairly impressive debut garage rock album. Using acoustic guitar intros, Weezer-ish bass progressions and youthful lyrics to their advantage, these teens manage some great jams that seem to be echoing the successful indie Provo/Velour scene. … read more
Local Reviews: John-Ross Boyce and His Troubles
Deliciously raw and gritty, Black Shuck/Old Crow is a really great album—a sort of stoner-gypsy-folk-rock mash-up. Wailing guitar riffs and rich, flowing vocals define the 14-song collection and, while the moods and tempos do vary, the album maintains a pretty consistent blues-based vibe that plucks at your heart-strings—kinda even tugs on your skin a little. … read more
Local Reviews: Matthew and The Hope
Matthew and The Hope wasn’t my kind of jam. Matthew claims to sound like Joshua James or Ray LaMontague, but I see his vocal styles as akin to back-of-the-throat singers from neo-grunge (think Scott Stapp or Gavin Rossdale). That being said, Matthew Bashaw has solid vocal skills, but the man needs someone to back him up if he is going to pull off the alternative country sound. … read more
Local Reviews: Michael Gross and The Statuettes
With a perfectly titled album, this rock outfit sonically takes you somewhere warm on the coast. Thanks to their mostly feel-good rhythms, electric guitar riffs and arena-style vocals, this is one of Salt Lake’s most widely appealing bands. … read more
