Month: August 2018
Review: Francis Plagne & crys cole – Two Words
Francis Plagne & crys cole = Arthur Russell + Anne Guthrie … read more
Review: Fire-Toolz – Skinless X-1
Fire-Toolz = Atari Teenage Riot + James Ferraro … read more
Review: Devon Welsh – Dream Songs
Devon Welsh = (Majical Cloudz – synths) + R.E.M. … read more
Review: Cullen Omori – The Diet
Cullen Omori = DIIV + Girls + Twin Peaks … read more
Saniderm Has You Covered
Riding high on a marathon of tattoo convention appearances, Steve Tarr—Director of Sales for Utah-based, medical-grade bandage/tattoo aftercare company Saniderm—gears up for Inked Magazine’s Empire State Tattoo Expo. … read more
V School Bringing Opportunity to Salt Lake City
V School is a tech-education boot camp teaching industry-celebrated curriculum, and has been since its start back in 2013. The school offers lessons in coding, UX and UI design, as well as other skills that are hand-selected by the school’s board. … read more
Creature Feature: Gemma Nigh
Born and raised in Sandy, Utah, Gemma Nigh got into the realm of performance art while attending Cyprus High School. “Growing up in Utah was definitely interesting. I lived in a super-Mormon neighborhood but never really played with any of the other kids,” she says. … read more
SLUG Style: Jacqueline Whitmore
Jacqueline Whitmore owns Copperhive Vintage and is a promoter of body positivity. This month’s SLUG Style was shot at Craft Lake City DIY Festival at the Gallivan Center at Copperhive Vintage’s booth. … read more
Art | Art and Fashion | Community | Fashion
Erasure @ Kingsbury Hall 08.12 with Reed and Caroline
Erasure’s set ends with “Stop!,” a track from the Crackers International release that served as a Christmas release in 1988 and a bridge between the The Innocents and Wild! releases. Thunderous applause follows—genuine, stand-on-your-feet applause. … read more
Lost ’80s Live 2018: A Flock of Seagulls, Wang Chung,...
Maybe it’s the heat, or that we were suddenly realizing how spoiled we were by the Retro Futura Tour a few weeks before, where the use of a backing band for the first three acts allowed the artist’s sets to be longer and seamless. Tonight, any momentum built up by the end of a band’s set evaporates before the next act can tune their instruments. … read more