Authors: James Orme
You, Me and The Devil: The Devil Makes Three
Drawing from folk, hot jazz, all types of acoustic music and just enough edge to put punk on the list, The Devil Makes Three is a one-of-a-kind act that has been spellbinding audiences around the country. This drummer-less three-piece conjures up thoughts of Depression-era sting and jug bands, but remains relevant to the present day. I had a chance to talk to frontman Pete Bernhard about the genesis of such a band and where The Devil Makes Three fits in this contemporary music scene. … read more
National CD Reviews – July 2011
New releases from Black Lips, Crystal Stilts, Dox, Explosions In the Sky, Friendly Fires, Iceage, Jello Biafra, Los Vigilantes, Set Your Goals, Sol Invictus, Thurston Moore. Tyler the Creator and many, many more are reviewed.
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The Country Side of Life
He may not look like he belongs on the stage of the Grand Ole Opry, but after years of pioneering the psychobilly genre here in America, Tiger Army front man Nick 13 has taken some time to diverge from the world of fast-paced, hard-charging rock n’ roll to refocus his talents on country music. Elegant in its delivery and colorful in its tones, the self-titled debut sounds like it was created by a talented veteran of country music. … read more
Local Reviews: Mayson Lee and the Rock & Roll Space...
There’s ome pretty fun greasy pop punk with a little horror thrown in on the EP from Mayson Lee. At first I didn’t think much of the female fronted group—they sounded like a lot of other bands to me—but after a few listens, I was coming around and started to see that they may not be reinventing the wheel, but they do know how to get it spinning. … read more
Heat Me Up: an Interview with Reverend Horton Heat
Reverand Horton Heat are one of those bands that every music fan knows, and with the way they tour, fans have probably seen them live a few times. They’ve charged through a 28-year career, always attempting new and challenging paths. A recent choice has been to include a guest appearance by another musical figure in their set. Guests, so far, have been Lemmy of Motörhead, Deke Dickerson, and Jello Biafra, who joined them on their Salt Lake date. … read more
Quit Shaking and Get Dirty with the Dirt Daubers
“I grew up watching TV and being influenced by pop culture like everyone else, but over time, I found that to be hollow, and eventually all you do is become a commodity to be bought and sold. But there is that undercurrent of culture that lives in every one of us—it’s indigenous, and we lose more and more over time. I love feeling connected to that history.” … read more
Cash’d Out @ The State Room 02.21
Douglas Benson’s vocals are so spot-on that if you closed your eyes you could be transported to a Cash live show circa 1962. Songs like “Boy Named Sue,” “Walk the Line” and even the folk tale epic “The Ballad of John Henry” were all done with attention to detail in such a way that these guys weren’t just playing Cash songs, they were playing Cash songs the way Cash and his band played them … read more
Just Jonny: An Interview with Social Distortion’s Jonny “Two Bags”...
“So many different things about me manifest themselves on the record, whether it be through lyrics or whatever.” Jonny “Two Bags” Wickersham has put together an eclectic record that plays like a musical autobiography of a guy that has made music his entire life. … read more
Just An Oklahoma Boy: An Interview with JD McPherson
“People like Wanda Jackson, Chet Baker, Charlie Christian and even Eddie Cochran was originally an Oklahoma cat. When Eric Clapton quit Cream, his whole band was recruited out of Tulsa. So I was surrounded by music growing up, by pickers out in the sticks, and my parents were really into music as well. People ask me all the time and seem to expect me to pick [up] and move to some place like Chicago or L.A., but I’m happy to stay here in Oklahoma.” … read more
Grabbing the Kat by the Tail: Koffin Kats Interview
Anyone who’s seen the Koffin Kats live will tell you that they are fueled by sweat and blood and that they put everything they can of themselves on stage. It’s intense, it’s keyed up to 11 and they have no other setting than balls to the wall. … read more