Music
John Moreland: Staying High On Tulsa Heat
I don’t fear getting lumped into that. I don’t care—people can lump me into whatever they want. It’s not going to change what I do. I don’t think country is the most accurate thing to call my music, but it doesn’t bother me if that’s what people will call me. … read more
Problem Daughter Album Release @ The Underground with Pop Warner,...
Problem Daughter had their album release show for their newest release, Fits of Disorganized Boredom, at The Underground with Pop Warner, Wicked Bears and Wearing Thin. This was one of their first shows since they started recording their album last year. Locals have been waiting for their new release which is also being distributed through
Review: Pinkshinyultrablast – Grandfeathered
Russian shoegazers Pinkshinyultrablast have quickly followed up on last year’s debut, Everything Else Matters, with Grandfeathered, an album that races off into the same horizon that the prior did. … read more
Review: Mothers – When You Walk A Long Distance You...
When You Walk is achingly good: the pierced-heart, splintered-bone, blurred-eyes kind of good. That it is only Mothers’ first full-length album is a wonder. … read more
Review: Sorcier des Glaces – North
This Québécois group has had something special and unique going on since the ’90s, and despite being underground in most regards, they’ve never put out a mediocre album. I first heard them through their split with Monarque, another under appreciated yet highly skilled and awesome band from the same side of our Northern neighboring country. Have Sorcier des Glaces lost their touch of frosty, sinister, Canadian black metal with this album, you ask? … read more
Review: Winkie – Come to My Party
Winkie describe their music as the sound of drowning, imagery reflected on the cover of their second full-length album. Come To My Party is an invitation. It’s definitely not an invitation to a party with balloons and frosted cakes with kids from school giving you hastily bought presents from the thrift store. This party is more like a meat grinder with strobe lights. … read more
Review: Yuck – Stranger Things
Stranger Things does maintain the tangy sweetness in both slower, lighter songs and the harder, grungier ones that have always been present in Yuck’s music. … read more
Megadeth @ The Complex with Children of Bodom, Havok 02.24
Megadeth has ruptured ear drums for 30 years, and while that may be some serious tenure, they show no signs of letting off on their iconic sound, which has gained them a reputation as one of the greatest metal bands of all time. A salute to them for giving such a memorable performance. Dave Mustaine is a god. … read more
Review: The Dirty Nil – Higher Power
The Dirty Nil = (PUP + FIDLAR) X (Fugazi + Smashing Pumpkins) … read more
Ringo Deathstarr: Keeping it Pharmaceutical-Hard
Austin band Ringo Deathstarr have picked out the many things that typify shoegaze, hurled them to the ground and stomped all over the pieces. … read more
Review: Death Index – Self-titled
Frontman Carson Cox of Merchandise and Marco Rapisarda (from labels Hell, Yes! and No Good) have teamed up to deal out their latest noise-soaked, hardcore-meets-art punk side project: Death Index. Their heady, self-titled debut album is punishing yet majestic, with a mission firmly rooted in those “primordial days of art punk”—think another punk duo, Suicide, and their nervy tendencies—that traverses doom, goth and post-punk in its hardcore endeavor. … read more
Review: TEEN – Love Yes
TEEN Love Yes Carpark Street: 02.19 TEEN = St. Vincent x Chairlift Love Yes, TEEN’s third album, finds the female quartet swimming in similar waters as their contemporaries, making big, glossy pop songs. The seductive prowess of Little Dragon’s neo soul is easy to recognize on “Please”, and the influence of Annie Clark’s vocal style
