John Englar was inspired by the New York punk scene in the ’80s—where kids soaked the streets with piss, started street fights, and blew through lights around the city; where freaks and outcasts thrived and clubs held dank shows full of moshing bodies.
Recently, SLUG had a chance to catch up with up-and-coming Utah County skateboarder Parker Garrett outside of Utah County indoor skate park, Banzai. He is a Provo native who is not shy to think outside of the box and get his feet bloody every now and then, and is helping progress the Provo skate scene with his skill set. This 21-year-old has a relaxed style that you can’t help but watch.
While attending the University of Utah during the mid-2000s, I became acquainted with a young man who was pursuing the dream of becoming a professional skier. His name is Wiley Miller, and his calm demeanor and sense of adventure made him easy to get along with.
DVD reviews for Class Of 1984, Ghost In The Shell: Arise, The Hobbit: Battle of the Five Armies, Interstellar, Island Of Lemurs: Madagascar, Jonah From Tonga, Teenage Mutant Ninja Turtles: Retreat, Top Five and Veep: The Complete Third Season
There’s no question that Lamb’s Grill is a Utah institution. I’m proud to report that it is still going strong. One thing is certain: If they handle breakfast and lunch with the same charm and elegance that they do with dinner, people will still be writing about Lamb’s Grill 96 years from now.
“Look at that moon!” says Eli Morrison, pointing up to the luminous body in the sky as I am about to enter the Man Vs. Music studio to interview him and his latest project, The Moths, about their impending release, titled Necromancy: Rock & Roll. It’s the smallest full moon of the year, yet seemingly immense in its implications, its portents, its power: evoking the elusive, mysteriously potent subjects of the sounds produced within these walls.
Wiener Records—a subsidiary of the garage rock label Burger Records—is making radical waves in the music industry. For as low as $250, any artist can purchase 100 tapes with full-color inserts and access to Wiener Records’ promotional and distribution machine. It almost sounds too good to be true, but Wiener Records Head Wiener Danny Gonzalez says that the purpose behind the label is to “make everything much more accessible.”
There’s that old adage: “If it ain’t broke, then don’t fix it!” In a nutshell, that’s our ancestors screaming at us from the past, telling us to leave a good thing alone. In many cases, that’s true—there are hundreds of things that impact our daily lives that have remained virtually unchanged since they were brought to our attention.
Gallery Stroll is like a big love letter from Utah artists to the community. A lot of work and love is poured into each Gallery Stroll, making each month an individual experience—galleries open their doors and invite the public to peruse the art after normal business hours, mingle with the artists and ask as many questions as their hearts desire.
Local album reviews from Fiendlord, J.P. Whipple, Littlee Sap Dungeon, The Love§trange, Lunar Twin, Monochist, PTO, The Rompstompers and Timmy The Teeth.
Matt Bergmann had some unfinished business from his story a few months back. In mid-December, Bergmann called me up to shoot “this really long down rail.”
Omara Moctar, known internationally as the Nigerien psych-rock hero Bombino, is the local and living legend of a small tribe in the country of Niger. While on his international tour, Salt Lake will have the good fortune of seeing him at no charge at The Salt Lake County Building on May 15–17 for The 30th Annual Living Traditions Festival this summer. Recently, SLUG was able to interview Moctar about his music and his message.
