This is a great easy-listening album. It is exactly what it purports to be: a positive, uplifting, easy-to-listen-to collection of chilled-out songs. Even the saddest lyrical topics on the album are lightened up by the delivery via charming and harmless reggae-inspired riffs. … read more
Local Reviews: The Direction
Man, I love chicks who rock. And this chick totally rocks—lead singer Felicia Anderton ties up this package most delightfully, with a vintage voice that is somehow exactly what this rock n’ roll outfit wants. … read more
Local Reviews: Theta Naught
Omnium Gatherum is Theta Naught’s first full-length album in six years. Given their elastic membership and reliance on improvisation above all else, each release and live show has the capacity to take the prolific post-rock/jazz/classical collective into completely unexpected places. … read more
Local Reviews: Tupelo Moan
The minute this album starts with “Take You Out,” it feels as if it was written in a dive by two guys just jamming out for the hell of it somewhere around the Alabama/Tennessee border. Trying to capture the southern rock feel with a harder edge, Brad McCarley and Jason Roberts pounded out this eight-track trucker-like album in a matter of weeks at McCarley’s own Salt Lake Recording Service. … read more
Local Reviews: Philosofist
Holy bajoley, Batman, this really is a knuckle sandwich. As they hint with their very name, Philosofist deftly combines thoughtful musicianship with execution that gets my body swaying and hand-fists punching. Each track in Obstruction Of Moustache stands by itself as its own work of art, starkly different from its siblings. … read more
Human Meat: Napalm Death’s Legacy of Grind
Napalm Death have always been a band you can instantly recognize, with a brash, often insanely fast sound and distinct vocals. The legacy of Napalm Death has always been how unique they are. … read more
SLUG Snow Photo Feature: Sam Taxwood
Sam Taxwood is man of the people, for the people. He did this method for the kids of Szczyrk, Poland, who seemed insanely stoked. … read more
Mike Brown: Adventures in Merch Peddling!
Over the years, SLUG has spotlighted sound technicians, bartenders, show promoters and probably an after-show puke mopper, but I cannot recall us ever focusing on a seemingly instrumental and important job of any live show, and that is the merch guy—or girl in this case: I interviewed Sara Monroe, who has been behind the table for over 15 years, in order to get the lowdown on the whole merch-selling gig. … read more
Local Reviews: DulceSky
Locals DulceSky pack a “doubleplusgood” punch with these nine songs. Although they’ve played the Dark Arts Festival and the packaging is reminiscent of ‘90s industrial, this is straightforward indie rock with a dark, intelligent, politicized edge. … read more
Local Reviews: The Fucktards
Congratulations, Fucktards: As I play this EP while my vulgar 17-year-old brother drives me to our parents’ house to steal food, he states, “This is foul.” Christ Punchen Fun! delivers boorish punk rock that sounds like it was recorded in a toilet littered with used condoms and week-old pizza crusts. … read more
Local Reviews: The Hung Ups
(First and foremost, I need to apologize to The Hung Ups for not getting to this album in time: I’ve played with these guys and they’re fucking awesome. Hands down, they deliver pissy-yet-poppy punk rock that’s in your face with no compromises. All these members have been in the Salt Lake/Utah scene for years now, and they really know how to fuck shit up. Sorry guys, have a round on me. On to the review.) The Hung Ups’ self-titled release hearkens back to the simple pop punk stylings of The Descendents with songs dealing with skating, girls and all-American pizza pies. … read more
Local Reviews: Ferocious Oaks
Things have never quite been the same after Arcade Fire’s Funeral. The Montreal collective’s quiet-and-restrained-to-ramshackle-and-blisteringly-loud dynamic has imprinted itself all over this ambitious yet frustrating EP by Orem’s Ferocious Oaks. … read more
