Music
Review: Trust – Joyland
It’s dark there, where you are. A faint, crystalline whimper hums over the pitch-black day-glo. There’s this neon-glowing earworm creeping out from somewhere in your head, and it’s eager for an inch of the latest fake-goth sensation. … read more
Review: Triptykon – Melana Chasmata
Many times in a review, when something like “more of the same” is said, it can be taken negatively. But when you’re Triptykon and have a massively successful debut under your belt, maybe you want a little bit of more of the same. … read more
Review: Trevor and the Joneses – There Was Lightning
Trevor and the Joneses bring back 1960s garage rock combined with the product of over 40 years of evolution in psychedelic rock n’ roll. … read more
Review: Tony Molina – Dissed and Dismissed
Tony Molina’s solo project blends the powerful genres of power pop and hardcore and is being reissued into a tight, compact 12-minute album after its initial February 2013 release. … read more
Review: Suzanne Vega – Tales From The Realm Of The Queen...
“Black is the truth/of my situation/and for those of my station/In life/all other colors lie,” Vega ominously sings on the thrillingly catchy “I Never Wear White,” one of many highs on this, her eighth studio album. … read more
Review: St. Vincent – Self-Titled
Annie Clark sure knows how to make a statement. In releasing “Digital Witness” as a response to a world that is growing obsessively consumed by technology, Clark simultaneously addresses her own technological dependence in the form of electronica mixed under a funky horn section. … read more
Review: Stefan Jaworzyn – Drained of Connotation
If you consider yourself a noise aficionado, then chances are that you know who Stefan Jaworzyn is. Being a once-prominent member in the ’80s UK experimental underground (with contributions in Ascension and Skullflower) before dropping off the grid, Drained of Connotation is Jaworzyn’s official proclamation of rising from his hiatus to resume his atonal passion. … read more
Review: Spiritual Rez – Apocalypse Whenever
This fourth album, and first album not self-produced, is a huge step for this seven-piece Boston reggae/ska/progressive rock band. … read more
Review: Southern Culture on the Skids – Dig This
For years, Southern Culture on the Skids have been one of those Americana bands that are such a well-built hotrod of a band that, when it comes to any of the genres that they tackle, they can naturally shift from country to surf to R&B and every bit sounds as authentic as it is original. … read more
Review: Sleepy Sun – Maui Tears
Maui Tears is the band’s finest work yet. It’s a perfection of everything good from Fever and Spine Hits. The record opens with “The Lane”—an angelic little ditty featuring guitars that soar through the clouds and rip through the ether in search of a realm of permanent shapes. … read more
Review: The Shilohs – Self-Titled
Vancouver’s The Shilohs position themselves adjacent to power pop trail-blazers Big Star and Badfinger, though their sound more closely resembles another band indebted to the Alex Chiltons of the world: Olivia Tremor Control. … read more
Review: The Shackeltons – Records
Records resonates the same essence that Test Icicles did, only after the caffeine (or whatever stronger stimulant) had begun to wear off. … read more
