Review: Lonesome Leash – I Am No Captain

Review: Lonesome Leash – I Am No Captain
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The first time I attempted to listen to I Am No Captain, I got 30 seconds into the first song before pausing in a frenzy and stowing it away for two weeks.  … read more

Review: John Cale – Shifty Adventures In Nookie Wood

Review: John Cale – Shifty Adventures In Nookie Wood
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John Cale
Shifty Adventures in Nookie Wood
Double Six
Street: 10.01.12
John Cale = Bauhaus + The Velvet Underground x Brian Eno
Stand back, kids … at 70, sporting pink dye in his white hair, legend John Cale (The Velvet Underground and too many others to name) is rockin’, and not in a rockin’ chair, son. This album is chockful of his smooth and unmistakable voice––like the voice Jim Morrison might have grown into––his standard drone and his louche lyrics that rival Leonard Cohen’s for their depth. You don’t so much listen to Nookie Woods as you get grabbed and bodily hauled in for some very shifty adventures, indeed. The opener, “I Wanna Talk 2 U,” a collaboration with hip-hop producer Danger Mouse, explodes out of your speakers. The masterful “Hemmingway” rattles you with its building intensity, while “Face to the Sky” is a gorgeous melding of electronic and organic elements, a swooping, woozy nod to Dali’s Car and Bowie. But lest all this ancient name-dropping makes you think the album is a throwback, worry not: there’s nothing old-fashioned about it. Cale seems committed to moving forward with music, playing around with over-processed autotune on “December Rain,” but he’s not afraid of organic acoustic sounds, as on “Mary.” If you don’t already know Cale, it’s time you met him, and a trip to the Nookie Woods is a fine place to start. –Madelyn Boudreaux … read more

Review: Judy Kang

Review: Judy Kang
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A comparison to Bjork is not the way to my heart; her music is like listening to a fax machine have a nervous breakdown. … read more

Review: Horsehands

Review: Horsehands
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Boston-based Horsehands are an experiment with an old, familiar sound that is miraculously unlike anything you’ve ever heard. … read more

 
 
Review: Hypocrisy

Review: Hypocrisy
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With a new record, Hypocrisy hits the road this spring in the ol’ USA to support it and all that goodness. … read more

Review: Iceage

Review: Iceage
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Like dying in a dream or Francis Bacon’s paintings, Iceage have delivered a bittersweet roller-coaster stomach lurch with their sophomore release, which drives forward in a disjointed dance with opener “Ecstasy.” … read more

Review: Iron Reagan

Review: Iron Reagan
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Iron Reagan will initially be recognized for its membership, which counts two members of Municipal Waste and two members of Darkest Hour in its ranks, but this should be eclipsed by their music. … read more

Review: High Priest of Saturn

Review: High Priest of Saturn
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A classic case of stoner doom by numbers, High Priest of Saturn imitate all the basic components of their chosen genre, but fail to add anything substantial or unique to the mix. Highly hailed with comparisons to Black Sabbath and Electric Wizard, the band’s self-titled debut only resembles these bands by the most generous comparison.  … read more

Review: Greg Boring

Review: Greg Boring
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Greg Boring are from Brisbane, Australia, and they make improvisational analog synth psychedelia. Heavy Syrup, the group’s debut LP, was an interesting listen, and even more interesting in its compositional techniques. In its recording process, the album’s songs were outlined but improvised.  … read more

Local Reviews: Late Night Alumni

Local Reviews: Late Night Alumni
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In the fast-paced world of electronica, it isn’t surprising that this is LNA’s fourth album since their 2005 debut, but rather, it is pleasantly shocking to hear how sleek it sounds, especially for an SLC-based outfit. Arguably, this is because well-known DJ and local-adopted son Ryan Raddon (aka Kaskade) is the mastermind behind the sound, but vocalist Becky Jean Williams—whose little-girl cooing is perfect for this genre—more than holds her own. … read more

Local Reviews: Les Sages

Local Reviews: Les Sages
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The idea of Les Sages’ third album sounds better than the outcome. It’s a baroque form of rock with a slight mariachi influence. The music itself sounds great, but there’s a sense of freedom lacking in the songs. The storytelling lyrics are intense, but the percussion-driven arrangements seem to inhibit the energy created by Joe Larson’s vocals. … read more

Local Reviews: Matthew Quen Nanes

Local Reviews: Matthew Quen Nanes
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Right in that new folk/punk singer-songwriter niche with a country touch, Nanes can put a tune together. This three-song EP shows a lot of potential. It’s different from a lot of the material I would compare it to, which is a very good thing. … read more