Issues: Issue 286 - October 2012
Local Reviews: 2WENTYTHRE3
The thing about this 2WENTYTHRE3 is that it’s really pretty good for what it is. From the little information I could find about Jared Smith, a Utahn, he’s taking himself pretty seriously and trying earnestly to turn in a solid effort for his sound and his branding, and it’s easy to tell that he is working very hard at both. … read more
Local Reviews: Dustbloom/Huldra
Ah, the split album—it’s a perfect way to showcase new bands and display the diversity of a musical community. This split features three songs apiece and a collaborative track from two of Salt Lake’s most exciting bands in the world of aggressive music. … read more
Local Reviews: JRapp
Jon Rappaport’s debut EP is a rhythmic, warmly melodic, complexly layered record that really shows off his skills as a producer. It’s evident that he has great instincts for composition from the fact that each track becomes a journey, bringing the listener along. … read more
Local Reviews: Katherine Nelson
Born Brave is Katherine Nelson’s first album, and it is a really fucking beautiful debut. She’s had plenty of experience to build on, having performed with The Nashville Tribute Band, among others, as well as having some acting experience playing Emma Smith in several films involving the Mormon icon. … read more
Local Reviews: Parlor Trix
This four-piece rap outfit from Salt Lake is ambitious—they acknowledge they are less about the hooks and more about lyricism. This release finds three MCs trading verses over beats by DJ Drix.While the energy and devotion to hip hop culture are evident, it’s hard to see at first what sets these guys apart, aside from being local. … read more
Local Reviews: South of Ramona
Aside from the cheesy 25-second intro that kicks off this five-song EP, this record is made up of some pretty good tracks from the local four-piece group. Although the first couple of songs, “Carnival Court (Step Inside)” and “Purple Sky,” feature a punk reggae vibe, the remaining tunes are different in style. … read more
Local Reviews: Stalemate Flesh
First impressions of this metal/punk duo from Salt Lake City should be shunned—Stalemate Flesh may have the tendency to scare listeners away. The tones on Freedom 2020 initially are in the one-note realm—the guitars don’t move far from their roots, nor do the vocals—but that’s the band’s point: They’re not trying to be dramatically proficient with their instruments. … read more
Local Reviews: Starvist
Just as their album art suggests, Starvist saw off rhino horns with Taker Mythology, a fresh gulp of contemporary hardcore. Drummer Chase Cluff is a technical beast in his own right as he seamlessly transitions from technical rolls on his snare and slides into a smooth 6/8 beat with fluffy ride taps in “You Just Don’t Fool Me Twice.” … read more
Local Reviews: Visigoth
Nobody can resist headbanging to Final Spell. Visigoth gets right to the point in “Creature of Desire” as frontman Jake Rogers’ perfect falsetto crescendos into “whoa-oh-oh”s with the aid of the front line, exhibiting vocal prowess akin to Rob Halford. … read more
Converge: Honestly Aimed Arrows
“Every new record should be the best possible version of your band.” Jacob Bannon—artist, label owner and Converge vocalist—has taken time out of his day to talk to me about his band’s new album, All We Love We Leave Behind. “I’ve always held the idea that if you’re making art, then the next thing you do should be a new step forward for you. I want to push things further and become a more cohesive artist and more successful in some way.” … read more