From the days of Mickey Cohen and the Wars of the Sunset Strip to the riots of the mid-’60s, the Strip has always attracted creative types: rock stars, writers, coke heads, mobsters and prostitutes—and John Belushi, who was all of those things at once. … read more
Last winter the Downtown Salt Lake City Farmers Market held pop-up markets as a solution to the winter funk. They were enjoyable monthly events held at various places downtown where you could stock up on local goodies and get your food truck fix, but the strong demand for a year-round market warranted a better solution: The Winter Farmers Market at the Rio Grande Depot. … read more
This is the band that created “Sensitive Kid,” so honesty and humility blend in a foot-tapping way that this concert hall could hardly hold; however, The Depot did its best and the former House of Blues sound system thumped pleasantly with tappings and noddings of all sorts. “Bulldozer” is a subtle metaphor for the types of emotions felt in these situations, but hearing it live added a level of hope to being run over completely and the lyrics became real in a way you could only appreciate by closing your eyes. … read more
Ballet West’s current season, which runs two and a half hours, is an ambitious bill, uniting the music of Stravinsky, Mozart and Gershwin. … read more
Deerhoof are a bundle of paradoxes: both tightly in control in the precision of their playing and seemingly veering out of control like a car with no one behind the wheel into the chaos of oncoming traffic—conventionally rock n’ roll, yet at moments as “out there” as any experimental group. They’re sweet and playful and, at the same time, as brutal as any heavy metal band. … read more
Last Wednesday night brought one of, if not the most, anticipated shows of the year for this fearless narrator. Dax Riggs is probably in my Capitoline Triad of music gods, which brings admittedly high expectations for a show. I’ve been to a lot of shows in my life, and you’re always prepared for a disconnect between the wind-blown fantasies in your brain and the reality. However, Wednesday was quite unusual, and I wouldn’t be doing my job if I wasn’t honest about it. … read more
“The idea for the album’s name and glue that sticks the songs together came from stargazing. I thought a lot back then about how there really is no present time. About the paradox of perception that happens when you look up at stars and are actually looking into an image of the past. The album deals with displacements like that one, with the feeling that there is no now.” … read more
Glancing at the program, I noticed that the ages of the instruments that this quartet were going to play ranged from the newest being a 233-year-old Giovanni Battista Guadagnini violin to the oldest being a 423-year-old Luigi Mariani viola. I wondered about the different musicians hands that held and played these fine instruments through the centuries. The quartet would be performing pieces from Haydn, Dohnanyi and Debussy. … read more
Once again, the Nova Chamber Series and its director, Jason Hardink, bring new music to the Salt Lake scene with two world premiere pieces and two great French pieces. … read more
Impact Hub is a web of exceptional city folk who relish in the idea of working close to other individuals in their community from widely varying fields. … read more
Every person wants to be remembered in some fashion. What Sandoval finagled down a 20-stair or what Burman did on a handrail in Philadelphia won’t be forgotten. The Zero crew stuck to their roots and put together another classic video. Cold War is a must buy for anyone who is into handrails, Minor Threat and skulls. … read more
“For me, it’s like you’re damned if you do, you’re damned if you don’t—you can only write from the heart. There are people that heard our records when they were 16 years old and they heard it a certain way, and no matter what we record now it’s not going to hit them in the same way. All you can do is what comes naturally, and I think that that’s what we achieved with this new record.” … read more
