Month: December 2013
Review: The Sounds – Weekend
The Sounds have released another album similar to their two most previous creations both in style and content. Indie folk influences with their typical electro-pop base won’t throw off or impress faithful fans. This album is about what you’d expect. … read more
Review: The Smoking Flowers – 2 Guns
IIt’s more interesting than the crop of artists on the pop country charts, but that isn’t saying much. For sheer listening—if you enjoy the storytelling lyricizing of the country genre—you could do far worse. … read more
![Review: The Last Ten Seconds of Life – Invivo[Exvivo]](https://www.slugmag.com/wp/wp-content/uploads/2013/12/last-ten-seconds-of-live-invivo-exvivo.jpg)
Review: The Last Ten Seconds of Life – Invivo[Exvivo]
Looking at the cover is all you’ll need to decide whether you’re going to like these guys or not. You know what you’re getting into—throat-tearing screams, breakdowns and amateur lyrics. Taking cues, nods and riffs from the rest of their brethren, it’s not original, but it sounds great. … read more
Review: The Mast – Pleasure Island
For their debut album, this Brooklyn-based duo pleases the listener with a relaxing experimental electronic album that features beautifully harmonized female vocals paired with synthesized drumbeats, similar to the Garage Band style production favored by acts like Grimes. … read more
Review: The Pack A.D. – Do Not Engage
The follow-up to 2011’s Unpersons, Do Not Engage again finds The Pack deep inside the blues-rock universe with some sharp, tight guitar riffs and soulful, rough-spun vocals from Becky Black and driving rhythms from Maya Miller. … read more
Review: The Rebel Set – How To Make a Monster
The ultra-quick single-string picking that opens How To Make A Monster drowns in wet reverb the way The Ventures did it. … read more
Review: The Coathangers/Audacity – Split 7 in.
The Coathangers are vinyl addicts, releasing a series of 7″ splits every six months through Suicide Squeeze with a variety of punk peers the past couple years. … read more
Review: The Difference Machine – The Psychedelic Sounds of the...
The Difference Machine meld together the meditative effect of psychedelia with urgent rhymes about spiritual awakening. Dr. Conspiracy’s King Geedorah–style, trance-like beat is matched with emcee DT’s seamless flows and Reid Richards’ witty lyrical tour through Marvel Comics superheroes in “Marvel.” … read more
Review: The Forum Walters – Lederhosenpunk
This whole album can be summed up in just one word: positivity! It kept me in a good mood right from its arousing intro, kicking right into the upbeat ska/punk title track that possesses me to skank whenever I hear it. … read more
Review: The Head and the Heart – Let’s Be Still
Let’s Be Still is a step away from spontaneous songwriting, intending to be a thoughtful, more mature sequel. In reality, most of the tracks seem overthought and lack musical interest. … read more
Review: The Hunt – The Hunt Begins
Given the “what’s cool” music climate of 2009, this album is visionary: McGandy croons in his lush pogo/post-punk–crossover baritone, almost breaching his voice’s breadth into a holler. “Fifteen Minutes” exhibits rhythmic dynamics that propel the “What have we done to all the young men?!” chorus (which, at least, nods to a street punk gang-vocal motif). … read more
Review: The Icarus Line – Slave Vows
On this, their sixth full-length release, The Icarus Line deliver brain-straining intensity in the form of dirty, spastic guitar flares and embittered lyrics sung in an Iggy Pop kind of quiver. … read more
