Year: 2013
Review: Victory
Robert Fleming is the multi-instrumentalist behind Victory. He touts a 60s Brit rock sensibility and sports a rockabilly pomp—two promising signs for any music reviewer. Sadly, Victory is Music is indicative of neither. Don’t get me wrong, Fleming could pass as an authentic Britt Daniel sound-alike and can strum a hollow-body exceptionally, but it’s hard to notice at first, since every single song on the album is scrubbed and drenched with kitschy production. … read more
Review: Victory – Victory is Music
Robert Fleming is the multi-instrumentalist behind Victory. He touts a ’60s Brit rock sensibility and sports a rockabilly pomp—two promising signs for any music reviewer. Sadly, Victory is Music is indicative of neither. … read more
Review: VietNam – an A.merican D.ream
The sophomore album from this Brooklyn rock group is a wild ride, with dark, psychedelic tones festering throughout the record. At its best, you can settle down into the groove of certain songs, but the majority of the tracks tend to be misguided with no clear direction. … read more
Review: Waxahatchee – Cerulean Salt
On her first album, American Weekend, Katie Crutchfield (P.S. Eliot, Bad Banana) sang personally devastating songs about the great universals—love and loss. There she showed off an enormous songwriting talent that was nurtured on cross-country tours. … read more
Review: Wet Hair – Spill Into Atmosphere
Wet Hair = Abe Vigoda + Mode Moderne
Wet Hair is the project of Night-People Records founder Shawn Reed, who has been a quiet but influential independent label maker for a decade. Wet Hair has shared releases with Naked on the Vague and Peaking Lights, toured with Zola Jesus, and Spill Into Atmosphere is their second full-length album. … read more
Review: White Fence – Cyclops Recap
Lou Reed and his bunch made noise-rock famous in the late ’60s with their first album. Their second release, Loaded, was full of sunny melodies, excluding the raucous white noise. The man behind White Fence, Tim Presley, has created an album that plays like a fusion of the aforementioned albums, with a little “Crimson and Clover” and a hint of Western. … read more
Review: Witches Of God – Blood Of Others
Lord, just try to write about one of these bands without a Sab comparison. You can’t! … read more
Review: Vial of Sound – Substance Organique Volatile
I often cringe when I hear stuff from artists that heavily depend on synth to create their music, because it generally sounds overdone, but Vial of Sound make it work. … read more
Review: Virginia Wing – Red Sails
This 7” features two great little indie pop tunes from the English group Virginia Wing. … read more
Review: White Flag Down – Never Surrender
Is there a set of specifications to be considered a Clockwork punk band? Because I’d imagine that The Adicts would be an example that most bands would look to. … read more
Review: White Orange – Onawa
After a relatively successful and intriguing debut album, White Orange appear to be stepping away from the snappy rock tunes of their self-titled and into the realm of spacey atmospherics. … read more
Review: Witch Cross – Axe to Grind
There’s always something refreshing about a legitimate ’80s metal band getting back together, but it’s rare to see such an enormous gap between their releases. … read more
