Authors: Henry Glasheen
Localized: Light/Black
Dark and gloomy doom is the order of the day on Oct. 12. Come chill with the heavy, meandering drone rock of Dustbloom, and meditate with the melancholic vibes of Light/Black. Before all of that, get your groove on with the driving jam punk of openers Baby Gurl. Tickets are just $5, and the 21+ show starts at 9 p.m. at Urban Lounge, brought to you by Bohemian Brewery and hosted by SLUG’s Ischa B. If you are immobile or underage, be sure to catch the show on gigviz.com. … read more
Electric Wizard: Weird Tales from the Wizard in Black
Rising from resin-black pools of acid-tinged darkness, Electric Wizard are the royalty of filth and debauchery. As if peering through a cloud of audible weed smoke, their riffs crunch and fizzle with an irrepressible groove, creating an unstoppable impulse to bang your head, gyrate your hips or just take another hit.
Sulphur Aeon Open the Gateway to the Antisphere
Sulphur Aeon release their third full-length album, Gateway to the Antisphere, on April 3 with Imperium Productions.
Just Another Man From The Cosmic Inferno: Kawabata Makoto of...
Over 20 years, 72 full-length albums and countless tours throughout the world, Japanese music collective Acid Mothers Temple have produced some of the world’s most fascinatingly weird tunes. At the center of this ever-shifting kaleidoscope of musical collaborators, Kawabata Makoto acts as both originator and catalyst for a cosmic musical energy that stretches beyond the boundaries of the strange and into the realm of the sublime.
Raise Your Magick Steel: Visigoth Return With The Revenant King
Visigoth descend from a rich legacy of incredible heavy metal music in Utah, a long history of innovation and tradition woven together into a diverse tapestry of sound.
I Am Thor: King of Muscle Rock
Thor is bending steel bars in his teeth, still standing as a testament to the resilient spirit of rock n’ roll.
Pallbearer: Foundations of Burden
“Sorrow and Extinction developed a following pretty quickly, and luckily, we had a lot of people in our corner to help push the new album,” he says. “It sort of came out of the gate pretty hot, surprisingly. None of us really expected that at all.” Despite their sudden popularity, Pallbearer try to focus on their music, not on the publicity. “It’s basically like we do with everything—try to take everything in stride, not have any expectations about what is coming next and just roll with it,” says Pallbearer bassist Joseph D. Rowland. … read more
Top 5: Ered Wethrin
Just like the epic themes of fantasy and esoteric mysticism that inspired Ered Wethrin’s lyrics, Tides of War takes its time unfolding a vast and enchanting audial world. From the Glen Cook–inspired “Bloody Annals and Brooding Skies” to the Steven Erikson tribute in “Requiem for the Fallen,” Sven Smith’s solo recordings recall the stoic and battle-hardened tales of lesser-known fantasy realms. … read more
King Diamond: A Visit From The Dead
King is the kind of guy who has heavy metal in his soul—in a way that goes far beyond the theatrics and posturing that dominate the scene today. When I asked him about the biggest changes he had seen in the heavy metal scene over his long career, his answer was simple but thoughtful. “It hasn’t changed that much,” he says, “but you keep learning more and more all the time.” … read more
Kory Quist: Roadie Warrior
When I asked Kory Quist to give me the highlights of his time spent on tour with SubRosa, who was supporting Boris, he replied with a surreal 10-item list where each entry baffled me more than the last. … read more
Beyond the Valley of the Dolls: Dropping Acid with K.R....
My first experience with Uncle Acid & the Deadbeats was with their second album, 2011’s Blood Lust. A tribute to the vile psychedelia initiated by the likes of Deep Purple and Black Sabbath, what really caught me was how close they could come to heavy metal roots without sounding derivative. … read more
