Wumpscut Blondi Metropolis Blondi was the name of Hitler’s German Shepherd. Coincidence or not, Blondi is the name of Rudy’s latest bitch. Not even a year since Bone Peeler, this six-track single, with two original tracks, previews for the latest, Evoke. It starts with military camp sirens for “Rush,” a catchy, danceable, 4/4, monotonous,
The dense and trippy world Trevor Powers invites listeners into appears to be an extravagant show. It seems that he wants to appear much more than a lo-fi bedroom artist, but upon listening to the opening track, “Mute,” I can feel Power’s sincerity, even if he does secretly crave being weird. … read more
This band might end up being way popular, that doesn’t mean they are any good though. Every song is a radio-friendly bright and upbeat pop song. … read more
The odds are against you as a singer if you attempt to pull off the Neil Young signature whine-and-pine style of vocalizing. … read more
Before you press play, grab your ganj (if that’s what you’re into). Heavy, psychedelia-infused blues are contrasted perfectly with warbling vocals, creating an alternate reality of dangerous, body-molding maestros. … read more
When I heard “Pretty Boy,” the first single from Young Galaxy’s fourth release, Ultramarine, I anxiously awaited tuning my ears into the rest of the album. I discovered Young Galaxy through their 2011 record, Shapeshifting, and was immediately hooked on the synth-heavy dance beats the group was creating. … read more
Woodrowgerber (aka Chad Gerber) is an acquaintance you want to like—he’s sometimes charming, and occasionally has interesting things to say, but for whatever reason, you hate him. … read more
“This is a love song from my heart to the grave,” is a quote from “Murderology” (the first track) that estimates the theme of this album in one assertion—Yard of Blondes are infatuated with death. … read more
Woah. The profundity in which I used the F-word to describe this band just blew my Mormon brain. But, it works. … read more
I expected more from Bronson’s debut, Saaab Stories, but was disappointed by his monotone raps. … read more
On a dark and stormy night on February 13, 1997, the power went out as Alex Chilton and his band were about to play their second set of the night at the Knitting Factory in New York City. … read more
Australia’s Altars follow leads like Portal’s weird atmospheres and the heavy guitar layering of Ulcerate, and most likely not even intentionally build on both of those elements. … read more
