It is a portrait of the cultural experience reminiscent of a long-gone New York. The Pushers takes us through the eyes of what the creative, artistic vibe was at the time of hair bands and neon clothing. … read more
After their recent Utah premiere of Poor Bastard, London-based theatre company Riot Act is preparing to deliver to Salt Lake City yet another rebellious and evocative classic adaptation. This time, Riot Act is spicing up the Utah theatre scene with HØÜSES, a modern, LGBTQ+ version of Shakespeare’s Romeo and Juliet. … read more
In 1997, when vocalist/bassist Steve Tucker replaced David Vincent, Morbid Angel went into an arguably experimental phase, sounding quite different from the more death/thrash–influenced first four albums from the band. … read more
Douglass “Chopper” Styer is a musician who performs under the name Mañanero. His face is featured on the label for Squatters’ Squasatch Hoppy Pils beer. … read more
Wild ales are often seasonal offerings and disappear within hours of hitting the shelves. It’s a testament to the Utah beer drinker’s evolving palate and thirst for something new. Toasted Barrel Brewery Co-owners Sage Dawson and Lynn Litchfield would like to make wild beers the norm in their Salt Lake City brewery, placing them above all others.
Emma Packer captivates with her interpretation of the universe through each track the illuminates her poetry. … read more
There’s something going on with Feel Good Patrol, but I’m not sure what. Well, that’s not true, it sounds like what a scene mainstay named Ryan Workman once described as “White-Boy-Frat-Funk-Rock,” with some rappin’ and scratchin’ thrown in. … read more
“Don’t laugh at me if I make a really crazy face,” is heard as you put Fox Van Cleef’s latest EP on for a spin––and we won’t––these cats are cool. Some pyschedelic guitars start in at that point and make for a very interesting intro track called “Torpedo.” … read more
I was at SLUG Mags’s July LOCALIZED which doubled as David Williams’ CD release show at The Urban Lounge, when it turned into “Glade’s Surprise Record Release Party.” I have to say, it plucked my heart-strings. … read more
This is the kind of music that brightens my day. Comparing things to Sublime is shitty, I know, but here I can’t help it–the down to earth, feel-good vibe and even Andrew Cole’s vocals smack of Bradley and the crew. … read more
SpyHop is known locally as an organization for teens, and their record label is teen-run, but the debut from Malevolent MC doesn’t sound immature. There’s not, however, much malevolence to be found here. … read more
Alvord’s debut album makes it obvious he has some guitar playing skills. Too bad his voice is like an awkward accessory—it’s nasally and reaches some highly uncomfortable pitches at times. … read more
