Month: March 2013
Local Reviews: Katherine Nelson
Born Brave is Katherine Nelson’s first album, and it is a really fucking beautiful debut. She’s had plenty of experience to build on, having performed with The Nashville Tribute Band, among others, as well as having some acting experience playing Emma Smith in several films involving the Mormon icon. … read more
Local Reviews: Parlor Trix
This four-piece rap outfit from Salt Lake is ambitious—they acknowledge they are less about the hooks and more about lyricism. This release finds three MCs trading verses over beats by DJ Drix.While the energy and devotion to hip hop culture are evident, it’s hard to see at first what sets these guys apart, aside from being local. … read more
Local Reviews: South of Ramona
Aside from the cheesy 25-second intro that kicks off this five-song EP, this record is made up of some pretty good tracks from the local four-piece group. Although the first couple of songs, “Carnival Court (Step Inside)” and “Purple Sky,” feature a punk reggae vibe, the remaining tunes are different in style. … read more
Local Reviews: Stalemate Flesh
First impressions of this metal/punk duo from Salt Lake City should be shunned—Stalemate Flesh may have the tendency to scare listeners away. The tones on Freedom 2020 initially are in the one-note realm—the guitars don’t move far from their roots, nor do the vocals—but that’s the band’s point: They’re not trying to be dramatically proficient with their instruments. … read more
Local Reviews: Starvist
Just as their album art suggests, Starvist saw off rhino horns with Taker Mythology, a fresh gulp of contemporary hardcore. Drummer Chase Cluff is a technical beast in his own right as he seamlessly transitions from technical rolls on his snare and slides into a smooth 6/8 beat with fluffy ride taps in “You Just Don’t Fool Me Twice.” … read more
Local Reviews: Visigoth
Nobody can resist headbanging to Final Spell. Visigoth gets right to the point in “Creature of Desire” as frontman Jake Rogers’ perfect falsetto crescendos into “whoa-oh-oh”s with the aid of the front line, exhibiting vocal prowess akin to Rob Halford. … read more
Local Review: Allred
Allred’s latest release is quite subdued. You won’t find any reverb on the lead guitar, and the vocals at a lower tone are more effective. Past and present considered, I do like this band’s guitar work. … read more
Local Review: Danger Hailstorm
A two-fer slab of bouncy proto-punk (or izzit pop metal?) from this local quartet, You Got It ups the the band’s incessant ear for melody (ex members of The Stench and Bad Yodellers can’t hurt) and ballsy chutzpah by driving itself over simple, thundering drums and keeping the vocals front and center in the mix. … read more
Local Review: Dine Krew
Salt Lake seems to be spouting out a steady stream of promising, uprising hip hop artists lately—Dine Krew included. We-E.T.’s presents unassuming, mellow beats and slow, satisfying flow, with short tracks that place emphasis on transitions. … read more
Local Reviews: Hot Club of Zion
Hot Club of Zion is one of the best jazz trios around. They play a gypsy style of jazz, and even though the mention of the genre brings to mind the great Django Reinhardt, they still maintain their own identity while paying proper homage. … read more
Local Review: Lady & Gent
This debut album from the five-piece Provo group features a plethora of pure folk music—lots of singing along with acoustic instruments. Made up of brothers Garrett and Ben Williams, Jeff Adams, Dana Sorensen and Chris White, Lady & Gent demonstrate how the Americana genre is done. … read more
Local Review: Irun Toh
Where Reality Sleeps is a smorgasbord of heady guitar licks compiled haphazardly into an enigmatic debut compilation. The entire project is reminiscent of late-’60s/early-’70s heavy blues (with a modern twist). … read more
