Music
DJ Evil K: Once Upon A Midnight Dreary
We get older. The exterior shows the wear, but inside, if you’re lucky, a bit of the old magic that fueled blind, optimistic dreams of a handful of black-clad shadows remains. … read more
Titus Andronicus: Forever And Ever And Ever
The Who. Pink Floyd. Titus Andronicus. If you think one of these bands doesn’t deserve to be mentioned in the same breath as the others, you clearly haven’t listened to The Most Lamentable Tragedy. The fourth album by New Jersey’s Titus Andronicus is a 29-song rock opera presented in five acts, following our hero’s confrontation
The Mynabirds’ Laura Burhenn: I’ll Paint the Ponies
The Mynabirds’ Laura Burhenn wants to sing you a love song on new album Lovers Know. – SLUG Mag … read more
Localized: Temples and The Salt, The Sea and The Sun...
This month’s Localized features the spastic math-pop of Provo’s The Salt, The Sea, and The Sun God, headliner Temples’ sprawling post-rock, and openers Tavaputs. If you have a taste for the slightly obtuse or like to get lost in a wave of sonic overload, then this one is probably for you. The show is Thursday,
DâM-FunK: The Continuum of Modern Funk
DâM-FunK’s second LP, Invite the Light, dropped Sept. 4, and he hits Urban Lounge on Sept. 13. – SLUG Mag … read more
Krisiun: Strength Forged Fury
Brutal death metal often gets taken to task for being redundant—often featuring anti-religious themes, the usual standards and “more of the same” pervade, so brutal death cries out to break new ground with room for deep emotional thought. Brazil’s brutal death metal trio does exactly the fucking opposite: full-on negative music that’s as disrespectful to
New Order: World In Motion
There are bands that leave a mark on their generation, and then there is New Order. Igniting a career of perseverance following the suicide of Joy Division vocalist Ian Curtis, New Order wound post-punk alienation and the pleasure of the dancefloor into always unconventional pop songs, crafting themselves the musical pulse of their time. Cautiously
In Darkness Is Strength: An Interview with Myrkur
Amalie Bruun’s unique style mixes the lo-fi brutality of second-wave black metal with thick folk and medieval inspiration, and she overlays the whole thing with clear, harmonious vocals and vicious, high screams. … read more
Dark Entries: Exhuming the Corners of Forgotten Synth-Based Music
This was my introduction into the expertly curated, aesthetically driven label Dark Entries that exists to release synth-driven coldwave, darkwave and post-industrial synth-pop records that have been long out of print. … read more
Rock n’ Roll, Love and Death: La Luz’s Weirdo Shrine
After procuring La Luz’s It’s Alive from Albatross Recordings and Ephemera, I took it home, dropped the needle and then soon began to uncontrollably gyrate to the surf-soulful sound of the first track, “Sure is Spring.” … read more
Victims To Be: PEARS’ Zac Quinn
The band PEARS as seemingly became an “overnight sensation.” I hate using phrases like that, but they have been a band for a year and a half and already played the main stage at Punk Rock Bowling and been signed to Fat Wreck Chords … read more
Chant: A Tribal Industrial Experience
Chant releases an artistic, limited-edition version of every album, and for Brave New Apocalypse this came in the retro form of a cassette tape. … read more
