Gorlock’s debut EP consists of six songs and unfortunately only lasts 16 and a half minutes. Luckily, those minutes seem like hours. This is a trip into a psychotic wonderland of demons and pure abstruseness. There are elements of basically every extreme metal sub-genre within, but the end result could only be defined as experimental. … read more
This music is engineered to hit right on the money for all people born in the 90s. The fact that the songs longer than three minutes were shoved to the end of the album makes me think that the average Lexi Sayok fan has a gnat’s attention span (what’s new with music written for those under 21 these days though?). … read more
Mana Poly All-Stars are some cool, smooth cats. I can’t believe how pimp this reggae is. If I smoked tweeds, I would totally want to roll a big ol’ thang and chill out to the calming relaxed vibes of these eight fine musicians. … read more
There’s something undeniably cool and timeless about blues-influenced rock and roll. As long as whiskey, cigarettes and broken hearts are en vogue, bands like The Naked Eyes will be around to provide the soundtrack to perfectly hazy nights. … read more
Nathan Spenser has put together a nice little collection of folk/rock songs, and for the majority, it’s an acoustic album. While most albums like this tend to reek of the “it’s been done before and done better” curse, Spenser seems to understand he’s not here to reinvent the genre. … read more
Nine Worlds takes the pace of super slow doom/ambient metal and speed it up just enough too keep you connected. I get undeniably impatient with 12-minute-plus songs that fade into nowhere, but here I found a satisfying four-song EP with all tracks in perfect timing. … read more
The appealing aspects of that band ODS didn’t like the vaguely negative review I wrote about their EP a few months ago, so I’ll be a lot more blunt about this one: it sucks. Well, that might not be an entirely accurate reflection of my feelings. I sure as hell don’t like this album, but I also don’t hate it. In fact, it stirs no emotional response in me whatsoever. … read more
Reeveler doesn’t play your dad’s prog rock or hard rock, although their influences may come from the sort. The sound on the Ogden band’s six-song demo is a curious audible entity—quite honestly, it’s like nothing I’ve really heard. Forget the usual plethora of bands that try to emulate their favorite classic bands. Reeveler change up their tempos constantly while the drumming and guitar work leave listeners catching every note and variance in the music. … read more
An open, starry night and a brilliant fire would do nicely while listening to Isaac Russell’s soothing voice. With powerful lyrics (similar to those of Joshua James) and strong vocals used in “Bark at Ghosts,” Russell seemed to have something new and grand to add to the growing folk scene. … read more
John Thursday California Adventure is the perfect record. It’s raunchy, fun and ridiculously danceable. A unique brand of sexuality oozes from every track. Songs like “Black Pussy,” “Purple Rain” and “Banana Hammock” are all instantly infectious and I couldn’t help but lose myself in the music. … read more
“Ambitious as fuck” are the first few words that came to mind when I listened to this for the first time. Sunden is three tracks ranging between 12 and almost 28 minutes in length, bookended by intro and outro tracks, and separated by short but effective interludes. … read more
VOID MRKT is one of the newest local art events on the scene. The first installment of the series hits Vague Space this Sunday, May 21, with vintage goods, art, music and much more. … read more
